Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit made "Symphony in E Minor, H. 652, Wq. 177: II. Andante moderato" available on March 22, 2024. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 21 in C.P.E. Bach: Symphonies - From Berlin to Hamburg by Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Symphony in E Minor, H. 652, Wq. 177: II. Andante moderato is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Symphony in E Minor, H. 652, Wq. 177: II. Andante moderato by Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit is Moderato (at a moderate speed), since this song has a tempo of 112 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sammartini: Recorder Concerto in F Major: III. Allegro assai | Giuseppe Sammartini, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | B♭ Major | 3 | 6B | 105 BPM | ||
Violin Sonata in A Major, Op. 5 No. 1: I. Adagio | Jean-Marie Leclair, Adrian Butterfield, Sarah McMahon, Silas Wollston | G Minor | 5 | 6A | 107 BPM | ||
Concerto in A Minor for 3 Violins, Viola and Basso Continuo: I. Andante Lento | Nicola Fiorenza, La Festa Musicale | A♭ Minor | 1 | 1A | 61 BPM | ||
Overture in D Major, TWV 55:D21: Overture in D Major, TWV 55:D21: I. Ouverture | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck | B Major | 1 | 1B | 109 BPM | ||
Concerto in D Major, Op. 4, No. 7: I. Allegro | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Major | 2 | 12B | 97 BPM | ||
Spängler-Menuett III | Leopold Mozart, Bankhaus Spängler | G Major | 0 | 9B | 92 BPM | ||
Orfeo: Aria : "Dall'amor più sventurato" | Nicola Porpora, Akademie für Alte Musik Berlin, René Jacobs, Vivica Genaux | C Minor | 0 | 5A | 88 BPM | ||
Trumpet Concerto in D Major, G. 28: II. Adagio | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | D♭ Major | 4 | 3B | 185 BPM | ||
Ouverture No. 6 in G Minor: II. Largo | Francesco Maria Veracini, Ensemble Zefiro, Alfredo Bernardini | B Minor | 1 | 10A | 76 BPM | ||
Symphony in D Major, J-C 14: I. Allegro | Giovanni Battista Sammartini, Milan Classical Chamber Orchestra, Roberto Gini | C Minor | 2 | 5A | 94 BPM |