"Fantasia for Harp in C Minor, Op. 35. Adagio molto - Allegretto" by Louis Spohr, Lavinia Meijer was released on January 1, 2011. Since Fantasia for Harp in C Minor, Op. 35. Adagio molto - Allegretto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Spohr, Fauré, Pierné, Saint-Saëns & Roussel: Fantasies and Impromptus". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Netherlands. Fantasia for Harp in C Minor, Op. 35. Adagio molto - Allegretto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fantasia for Harp in C Minor, Op. 35. Adagio molto - Allegretto by Louis Spohr, Lavinia Meijer having a テンポ of 75 with a half-time of 38 テンポ and a double-time of 150 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade for Strings in E Major, Op. 22, B. 52: III. Scherzo. Vivace | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | F Major | 2 | 7B | 130 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | ||
Faust, Act II (1852 Version): Nein, nein, nein | Louis Spohr, Michael Vier, Eelco von Jordis, William Pugh, Diane Jennings, Ion Bric, Martin Eichwalder, Drummond Walker, Ulrich Neuweiler, Helmut Kegler, Claudia Taha, Drew Abbott, Maria Kowollik, Bielefeld Philharmonic Orchestra, Geoffrey Moull | A♭ Major | 2 | 4B | 86 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): II. Adagio | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Minor | 2 | 8A | 108 BPM | ||
Schumann: Cello Concerto in A Minor, Op. 129: II. Langsam | Robert Schumann, Jacqueline du Pré, Daniel Barenboim, New Philharmonia Orchestra | F Major | 1 | 7B | 85 BPM | ||
Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version | Henryk Wieniawski, Itzhak Perlman, Samuel Sanders | D Major | 3 | 10B | 114 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Havanaise, Op. 83, R. 202 | Camille Saint-Saëns, María Dueñas, Wiener Symphoniker, Manfred Honeck | A Major | 1 | 11B | 83 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM |