Perrault made "Chapter 1.4 & Chapter 2.1 - Les 20 plus beaux contes pour enfants" available on 2009. The duration of Chapter 1.4 & Chapter 2.1 - Les 20 plus beaux contes pour enfants is about 3 minutes long, at 3:06. Based on our data, "Chapter 1.4 & Chapter 2.1 - Les 20 plus beaux contes pour enfants" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Perrault's "Les 20 plus beaux contes pour enfants" album is number 4 out of 95. On top of that, Germany appears to be the country where this track was created. Chapter 1.4 & Chapter 2.1 - Les 20 plus beaux contes pour enfants is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Chapter 1.4 & Chapter 2.1 - Les 20 plus beaux contes pour enfants by Perrault to be Andante (at a walking pace) because the track has a tempo of 78 テンポ, a half-time of 39テンポ, and a double-time of 156 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chapter 1.2 & Chapter 2.1 - Best english tales and stories | Grimm, Perrault, Andersen | E Major | 1 | 12B | 95 BPM | ||
Trio Sonata in A Major, A02: II. Allegro | Giuseppe Tartini, Maurizio Schiavo, Ayako Matsunaga, Antonio Papetti, Danilo Costantini, Il Demetrio | A♭ Major | 1 | 4B | 79 BPM | ||
Teil 51 - Die Bibel - Das Neue Testament | Die Bibel, Diverse Sprecher, Trad. | F Major | 1 | 7B | 88 BPM | ||
Concert Royal No. 1 in G (Version for 2 Harpsichords): II. Allemande. Légèrement | François Couperin, Pierre Gallon, Matthieu Boutineau | E♭ Major | 4 | 5B | 125 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 7, La douceur | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 1, Le charme | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Sonata quarta in B minor, Parte Prima: III. Adagio | Mrs Philarmonica, Le Consort | B Major | 0 | 1B | 84 BPM | ||
Harpsichord Concerto in A Major: III. Giga: Allegro | Carlos Seixas, Janos Sebestyen, Franz Liszt Chamber Orchestra, János Rolla | A Major | 3 | 11B | 106 BPM | ||
Sonata No. 9 in F Minor: IV. Allegro | Francesco Mancini, Claudio Ferrarini | F Minor | 4 | 4A | 141 BPM | ||
VII. Ei nun, mein Gott, so fall ich (Recitative & Choral) | Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Chorus Musicus Köln, Erika Tandiono, Sofia Pavone, Daniel Johannsen, Tobias Berndt | A♭ Major | 2 | 4B | 92 BPM |