"Taverner: Western Wind Mass - 1e. Qui tollis peccata mundi, miserere" by John Taverner, Peter Phillips, The Tallis Scholars was released on December 1, 1993. With Taverner: Western Wind Mass - 1e. Qui tollis peccata mundi, miserere being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Western Wind Masses (Taverner - Tye - Sheppard) by Peter Phillips, The Tallis Scholars. The song's track number on the album is #6 out of 91 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Taverner: Western Wind Mass - 1e. Qui tollis peccata mundi, miserere's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Taverner: Western Wind Mass - 1e. Qui tollis peccata mundi, miserere by John Taverner, Peter Phillips, The Tallis Scholars has a tempo of 132 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Taverner: Western Wind Mass - 1e. Qui tollis peccata mundi, miserere being at 132 テンポ, the half-time would be 66 テンポ with a double-time of 264 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Isorhythmic Motets: O sancte Sebastiane - O martyr Sebastiane - O quam mira | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | D Minor | 1 | 7A | 132 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: III. Come, Let Us Worship | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
Missa Sanctae Crucis, MH 56: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Minor | 2 | 1A | 75 BPM | ||
The Earle of Essex Galiard from Lachrimae, or Seaven Teares | John Dowland, Fretwork, Christopher Wilson | F Minor | 1 | 4A | 107 BPM | ||
Missa "Mater Patris": Mater Patris et fil | Josquin des Prez, Antoine Brumel, Jerycho, Bartosz Izbicki | E Major | 2 | 12B | 66 BPM | ||
Palestrina: Missa Papae Marcelli - 1a. Kyrie Eleison 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 81 BPM | ||
De Sancta Maria: Ave Maria auctrix vitæ - O dulcissima - Gloria (Responsorium) | Hildegard von Bingen, La Reverdie, I Piccoli Cantori di San Bortolo | E♭ Major | 0 | 5B | 79 BPM | ||
Miserere mei Deus (psaume L) – à 8, alternatim | Andrés Barea, Paul Van Nevel, Huelgas Ensemble | A♭ Major | 2 | 4B | 83 BPM | ||
Sinfonia | Biagio Marini, Odhecaton, Paolo da Col | A Minor | 1 | 8A | 115 BPM | ||
Terpsichore*: Gaillarde | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 63 BPM |