Rinaldo / Act 3: Recitativo: Mori svenata - George Frideric Handel, Luba Orgonasova, Cecilia Bartoli, David Daniels, Academy of Ancient Music, Christopher Hogwood 情報

音響性: 85%
ダンサビリティ: 53%
エネルギー: 15%
手段性: 48%
活気: 15%
ラウドネス: 67%
話し言葉: 4%
価数: 53%
人気: 7%
ラウドネス: -19.794 dB

まとめ

George Frideric Handel, Luba Orgonasova, Cecilia Bartoli, David Daniels, Academy of Ancient Music, Christopher Hogwood made "Rinaldo / Act 3: Recitativo: Mori svenata" available on October 16, 2000. With Rinaldo / Act 3: Recitativo: Mori svenata being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in George Frideric Handel, Cecilia Bartoli, David Daniels, Academy of Ancient Music, Christopher Hogwood's "Handel: Rinaldo (Original 1711 Version)" album is number 6 out of 82. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Rinaldo / Act 3: Recitativo: Mori svenata's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Rinaldo / Act 3: Recitativo: Mori svenata テンポ

We consider the tempo marking of Rinaldo / Act 3: Recitativo: Mori svenata by George Frideric Handel, Luba Orgonasova, Cecilia Bartoli, David Daniels, Academy of Ancient Music, Christopher Hogwood to be Allegro (fast, quick, and bright) because the track has a tempo of 130 テンポ, a half-time of 65テンポ, and a double-time of 260 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Rinaldo / Act 3: Recitativo: Mori svenata キー

This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

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Track	Artist	Key	Energy	Camelot	BPM
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: II. Adagio Ma Non Tanto	Cologne Chamber Orchestra, Johann Sebastian Bach	C Minor	1	5A	83 BPM
Concerto Saint Marc: III. Andante	Tomaso Albinoni, John Roderick MacDonald, Martin Stephan	G Minor	0	6A	60 BPM
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio	Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach	C Minor	2	5A	176 BPM
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio	Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine	A♭ Major	1	4B	118 BPM
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro	William Boyce, Aradia Ensemble, Kevin Mallon	A♭ Major	1	4B	181 BPM
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile	Franz Joseph Haydn, Alban Berg Quartett	B♭ Major	1	6B	101 BPM
Concerto Grosso in E Minor, Op. 3, No. 3: IV. Allegro	Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek	E Minor	3	9A	144 BPM
Oboe Concerto in G Minor, Op. 9, No. 8: III. Allegro	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	G Minor	3	6A	108 BPM
Stabat Mater: 3. O quam tristis	Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood	F♯ Minor	1	11A	80 BPM
Armide: Overture	Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown	B♭ Major	1	6B	70 BPM

ISRC: GBBBB2000059
レコードレーベル: L-M Records/RCA Records