"Psalm 94 "O Lord God, to Whom Vengeance Belongeth"" by James Turle, Hereford Cathedral Choir, Geraint Bowen, Roy Massey was released on January 11, 1989. With this song being about 5 minutes long, at 5:26, "Psalm 94 "O Lord God, to Whom Vengeance Belongeth"" by James Turle, Hereford Cathedral Choir, Geraint Bowen, Roy Massey is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 17 in the song's album "Psalms of David, Vol. 1: Hear My Prayer O Lord". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Psalm 94 "O Lord God, to Whom Vengeance Belongeth"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psalm 94 "O Lord God, to Whom Vengeance Belongeth" by James Turle, Hereford Cathedral Choir, Geraint Bowen, Roy Massey having a テンポ of 123 with a half-time of 62 テンポ and a double-time of 246 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Free from Sin! | Laestadian Lutheran Church, Liisa Keranen, Anna-Kaisa Roiko | D Minor | 1 | 7A | 138 BPM | ||
Lord, for Thy Tender Mercy's Sake | Richard Farrant, Westminster Kantorei, Amanda Quist | A♭ Major | 1 | 4B | 77 BPM | ||
Communion Service in C Major: Sanctus | John Ireland, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice | F Major | 0 | 7B | 74 BPM | ||
Psalm 3 "Lord, How Are They Increased That Trouble Me!" | Andrew Millington, Exeter Cathedral Choir, Paul Morgan | E Minor | 0 | 9A | 174 BPM | ||
The day Thou gavest, Lord, is ended | Clement Schofield & des. Malcolm Archer, Wells Cathedral Choir, Wells Cathedral School Brass Ensemble, Malcolm Archer & Rupert Gough | A♭ Major | 1 | 4B | 81 BPM | ||
Come, Risen Lord | William Ferris Chorale | B♭ Major | 2 | 6B | 65 BPM | ||
Psalm 106 "O Give Thanks unto the Lord" | Hubert Parry, James Turle, Samuel Sebastian Wesley, Durham Cathedral Choir, Ian Shaw, James Lancelot | B♭ Major | 0 | 6B | 80 BPM | ||
Easter Anthem "The Lord is ris'n indeed" | William Billings, Paul Hillier, His Majestie's Clerkes | A Major | 1 | 11B | 103 BPM | ||
My God, How Endless | Lyle Stutzman, Tapestry Chamber Singers | A Minor | 2 | 8A | 95 BPM | ||
Psalm 29 "Bring unto the Lord O Ye Mighty" | Charles Villiers Stanford, Wells Cathedral Choir, Christopher Brayne, Anthony Crossland | F Major | 1 | 7B | 85 BPM |