William Billings, Paul Hillier, His Majestie's Clerkes made "Easter Anthem "The Lord is ris'n indeed"" available on March 10, 1992. The duration of Easter Anthem "The Lord is ris'n indeed" is about 3 minutes long, at 3:19. Based on our data, "Easter Anthem "The Lord is ris'n indeed"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 16 in Early American Choral Music Vol. 1: Anthems and Fuging Tunes by William Billings by William Billings, Paul Hillier, His Majestie's Clerkes. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Easter Anthem "The Lord is ris'n indeed" is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Easter Anthem "The Lord is ris'n indeed" by William Billings, Paul Hillier, His Majestie's Clerkes is Andante (at a walking pace), since this song has a tempo of 103 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Colchester ("O 'twas a joyful sound to hear") | William Tans'ur, Paul Hillier, His Majestie's Clerkes | A♭ Major | 1 | 4B | 81 BPM | ||
Psalm 136: O Give Thanks Untothe Lord (Lloyd) | St. Thomas Choir Of Men And Boys, Gerre Hancock | A Major | 1 | 11B | 140 BPM | ||
Redhead 76 "Rock of Ages, Cleft for Me" | Richard Redhead, Choir of Keble College, Oxford, Mark Laflin, Gavin Plumley | E♭ Major | 1 | 5B | 77 BPM | ||
Jeesuksen veljet sisaret, Sl 22 | Mieskuoro Weljet | E Minor | 0 | 9A | 75 BPM | ||
7 Partsongs, Op. 17: No. 3, My Spirit Sang All Day | Gerald Finzi, The Graduate Choir, nz, Terence Maskell | G Minor | 2 | 6A | 71 BPM | ||
Uti vår hage | Hugo Alfvén, Simon Phipps, Swedish Chamber Choir | A Minor | 3 | 8A | 100 BPM | ||
Missa Popularis: V. Agnus Dei | Mårten Jansson, Chantage, Classical Pop-Ups Strings, James Davey | B Minor | 1 | 10A | 139 BPM | ||
New Boston | William Billings, William Appling Singers and Orchestra, William Appling | D Major | 1 | 10B | 143 BPM | ||
Seven Songs: I. I Have a Bird | Sally Beamish, Emily Dickinson, The St Catharine's Girls' Choir, Cambridge, Edward Wickham | G Major | 0 | 9B | 76 BPM | ||
If Ye Love Me - Tallis | Octarium | F♯ Major | 0 | 2B | 64 BPM |