Giacomo Meyerbeer, Titta Ruffo, Leo Blech, Hans Lange's 'L'Africaine: All'erta, marinar! (Recorded 1915)' came out on January 1, 1990. With L'Africaine: All'erta, marinar! (Recorded 1915) being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists, Leo Blech, Hans Lange's "Great Singers Vol. 2 (Recorded 1903-1939)" album is number 5 out of 18. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, L'Africaine: All'erta, marinar! (Recorded 1915)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of L'Africaine: All'erta, marinar! (Recorded 1915) by Giacomo Meyerbeer, Titta Ruffo, Leo Blech, Hans Lange to be Allegro (fast, quick, and bright) because the track has a tempo of 133 テンポ, a half-time of 66テンポ, and a double-time of 266 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Violin Concerto No. 1 in A Minor, Op. 77: IIIa. Passacaglia. Andante | Dmitri Shostakovich, Hilary Hahn, Marek Janowski, Oslo-Filharmonien | D♭ Major | 1 | 3B | 178 BPM | ||
Das Lied von der Erde: Von der Jugend | Gustav Mahler, Michael Schade, Wiener Philharmoniker, Pierre Boulez | G Minor | 1 | 6A | 79 BPM | ||
Concertstück in F Major, Op. 86: III. Sehr Lebhaft | Robert Bonnevie, Mark Robbins, David C. Knapp, Scott Wilson, Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | F Major | 1 | 7B | 132 BPM | ||
Symphony No. 1 in D Major, Op. 25: IV. Finale. Molto vivace | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 134 BPM | ||
Étienne Marcel, R. 209, Act III, The Night of St. John, Before Notre Dame (Excerpts): Musette guerrière | Camille Saint-Saëns, Residentie Orkest Den Haag, Jun Markl | D Major | 2 | 10B | 132 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
Segunda visión | Juan Pablo Fernández Ramos | G Minor | 1 | 6A | 81 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM |