"Canticles of the Holy Wind: X. The Yellow Wind" by John Luther Adams, The Crossing, Donald Nally was released on May 12, 2017. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in John Luther Adams, The Crossing, Donald Nally's "John Luther Adams: Canticles of the Holy Wind" album is number 10 out of 14. Based on our statistics, Canticles of the Holy Wind: X. The Yellow Wind's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Canticles of the Holy Wind: X. The Yellow Wind by John Luther Adams, The Crossing, Donald Nally to be Allegro (fast, quick, and bright) because the track has a tempo of 132 テンポ, a half-time of 66テンポ, and a double-time of 264 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Arcadiana, Op. 12: VI. O Albion | Thomas Adès, Signum Quartet | E♭ Major | 0 | 5B | 72 BPM | ||
Partita for 8 Singers: No. 4. Passacaglia | Caroline Shaw, Roomful of Teeth, Brad Wells | D Major | 3 | 10B | 68 BPM | ||
High Windows | Christopher Cerrone, Argus Quartet, The String Orchestra of Brooklyn, Eli Spindel | G Minor | 1 | 6A | 78 BPM | ||
All That Remained Pt.2 | Siavash Amini | D Minor | 1 | 7A | 71 BPM | ||
Unveiled | Hildur Guðnadóttir, Skúli Sverrisson, Guðni Franzson | A Minor | 0 | 8A | 94 BPM | ||
'The Struggle of the Magicians' (Excerpt No. 3) | Thomas de Hartmann | C Minor | 0 | 5A | 172 BPM | ||
The Wind in High Places: II. Maclaren Summit | John Luther Adams, JACK Quartet | G Major | 1 | 9B | 54 BPM | ||
Light and Dark | Simon Fisher Turner | B Minor | 3 | 10A | 112 BPM | ||
...quasi una fantasia..., Op. 27/1: Introduzione | György Kurtág, Tamara Stefanovich, Asko Schönberg, Reinbert de Leeuw | D♭ Major | 0 | 3B | 0 BPM | ||
Greater Antiphons: II. O Adonai | Arvo Pärt, Tallinn Chamber Orchestra, Tõnu Kaljuste | D Major | 0 | 10B | 138 BPM |