"Orff: Carmina Burana, Pt. 1, Uf dem Anger: Chramer, gip die varwe mir" by Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre National Du Capitole De Toulouse was released on 1995. The duration of Orff: Carmina Burana, Pt. 1, Uf dem Anger: Chramer, gip die varwe mir is about 3 minutes long, at 3:06. Based on our data, "Orff: Carmina Burana, Pt. 1, Uf dem Anger: Chramer, gip die varwe mir" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 28 in Carmina Burana by Carl Orff. Orff: Carmina Burana, Pt. 1, Uf dem Anger: Chramer, gip die varwe mir is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Orff: Carmina Burana, Pt. 1, Uf dem Anger: Chramer, gip die varwe mir by Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre National Du Capitole De Toulouse is Andante (at a walking pace), since this song has a tempo of 77 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Bizet: Carmen, WD 31, Act 1 Scene 7: No. 7, Duo, "Parle-moi de ma mère" (Micaëla, Don José) | Georges Bizet, Roberto Alagna, Michel Plasson, Orchestre National Du Capitole De Toulouse | C Major | 2 | 8B | 87 BPM | ||
Eugene Onegin, Op. 24, TH.5 / Act 2: Entr'acte and Waltz with Chorus. "Vot tak syurpriz!" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Neil Shicoff, Herve Hennequin, St.Petersburg Chamber Choir, Orchestre de Paris, Semyon Bychkov | D Major | 2 | 10B | 113 BPM | ||
La Boheme | Dustin Henze | D Major | 1 | 10B | 74 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 4: Récitatif, "Quand je vous aimerai?" - No. 5, Havanaise, "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Victoria de los Ángeles, Orchestre National Radiodiffusion Française, Sir Thomas Beecham, Orchestre National de la Radiodiffusion-Television Francaise | D Major | 1 | 10B | 132 BPM | ||
Preludio | Ataúlfo Argenta | E Major | 3 | 12B | 105 BPM | ||
L'elisir d'amore / Act 1: "Or se m'ami, come io t'amo...Intanto, o mia ragazza" | Gaetano Donizetti, Dominic Cossa, Dame Joan Sutherland, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | F Major | 3 | 7B | 132 BPM | ||
Tosca / Act 1: "Recondita armonia" | Giacomo Puccini, Carlo Bergonzi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni | F Major | 3 | 7B | 86 BPM | ||
Carmina Burana / 3. Cour d'amours: "Circa mea pectora" | Carl Orff, John Shirley-Quirk, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | E Minor | 3 | 9A | 86 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Gerettet ist das edle Glied" | Gustav Mahler, Wiener Singverein, Vienna State Opera Chorus, Vienna Boys' Choir, Chicago Symphony Orchestra, Sir Georg Solti | F Major | 1 | 7B | 85 BPM |