"3 Piezas Españolas: No. 2, Passacaglia" by Joaquín Rodrigo, Julian Bream was released on 2004. Since 3 Piezas Españolas: No. 2, Passacaglia is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Joaquín Rodrigo, Julian Bream, John Eliot Gardiner's "Joaquin Rodrigo: Concierto de Aranjuez; Tres piezas espanolas; Fantasía para un gentil hombre - Sony Classical Masters" album is number 5 out of 14. In terms of popularity, 3 Piezas Españolas: No. 2, Passacaglia is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 3 Piezas Españolas: No. 2, Passacaglia by Joaquín Rodrigo, Julian Bream to be Moderato (at a moderate speed) because the track has a tempo of 114 テンポ, a half-time of 57テンポ, and a double-time of 228 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les larmes de Jacqueline, Op. 76, No. 2 | Jacques Offenbach, Harriet Krijgh, Kamilla Isanbaeva | C Major | 1 | 8B | 90 BPM | ||
Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, Géza Anda, Camerata Academica des Mozarteums Salzburg | F Major | 0 | 7B | 175 BPM | ||
Suite espagnole, Op. 47: III. Sevilla | Isaac Albéniz, Thibault Cauvin | G Major | 2 | 9B | 112 BPM | ||
Debussy / Arr. Roelens: Suite bergamasque, CD 82, L. 75: III. Clair de lune | Claude Debussy, David Oistrakh, Vladimir Yampolsky | D♭ Major | 0 | 3B | 93 BPM | ||
Nocturne No.2 in E flat, Op.9 No.2 | Frédéric Chopin, Nelson Freire | B♭ Major | 0 | 6B | 122 BPM | ||
Concerto for 2 Mandolins in G Major, RV 532: II. Andante | Antonio Vivaldi, Enrico Parizzi, Ludovico Minasi, Riccardo-Masahide Minasi, Thomas Boysen, Thor-Harald Johnsen, Valerio Losito, Rolf Lislevand | E♭ Minor | 1 | 2A | 125 BPM | ||
Adagio | Alessandro Marcello, Martin Stadtfeld | D Minor | 0 | 7A | 91 BPM | ||
Oboe Concerto in D Minor, S. Z799: II. Adagio | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 71 BPM | ||
Tchaikovsky / Arr. Stetsuk for Cello and Orchestra: 16 Children's Songs, Op. 54: No. 10, Lullaby in a Storm | Pyotr Ilyich Tchaikovsky, Alexander Kniazev, Constantine Orbelian, Moscow Chamber Orchestra | D Minor | 0 | 7A | 89 BPM | ||
Fantasía para un gentilhombre: II. Españoleta y fanfarria de la caballería de Nápoles | Joaquín Rodrigo, Xianji Liu, Orquesta Sinfónica de RTVE, Pedro Amaral | A Minor | 1 | 8A | 99 BPM |