"Serenade: IV. Agathon. Adagio" by Leonard Bernstein, Hilary Hahn, David Zinman, Baltimore Symphony Orchestra was released on 1998. Since Serenade: IV. Agathon. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 8 in Beethoven: Violin Concerto in D Minor, Op. 61 - Bernstein: Serenade by Hilary Hahn. Serenade: IV. Agathon. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Serenade: IV. Agathon. Adagio by Leonard Bernstein, Hilary Hahn, David Zinman, Baltimore Symphony Orchestra is Lento (slowly), since this song has a tempo of 54 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 "Jeremiah": III. Lamentation | Leonard Bernstein, Jennifer Johnson Cano, Baltimore Symphony Orchestra, Marin Alsop | A♭ Major | 2 | 4B | 125 BPM | ||
6 Sonatas for Violin Solo, Op. 27 / Sonata No. 2 in A Minor: III. Danse des Ombres. Sarabande | Eugène Ysaÿe, Hilary Hahn | G Major | 0 | 9B | 112 BPM | ||
Variations On A Rococo Theme, Op.33, TH.57: Tema: Moderato semplice | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | A Major | 0 | 11B | 94 BPM | ||
Lalo: Symphonie espagnole, Op. 21: II. Scherzando (Allegro molto) | Édouard Lalo, Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra | G Major | 0 | 9B | 103 BPM | ||
Pictures at an Exhibition: Limoges marché | Modest Mussorgsky, Evgeny Kissin | B Minor | 2 | 10A | 183 BPM | ||
Hilary Hahn's approach to this recording and her interpretation of these | Various Artists, Hilary Hahn | E♭ Major | 1 | 5B | 95 BPM | ||
Violin Concerto No. 4 in D Minor, Op. 31: IV. Finale marziale: Andante - Allegro | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | D Major | 2 | 10B | 78 BPM | ||
Variations (1963-64): Aldous Huxley in memoriam | Igor Stravinsky, London Sinfonietta, Oliver Knussen | A♭ Major | 1 | 4B | 133 BPM | ||
Symphony No. 7 in C Major, Op. 105: Allegro molto moderato - Allegro moderato - | Jean Sibelius, Boston Symphony Orchestra, Sir Colin Davis | C Major | 1 | 8B | 81 BPM | ||
Concerto for 2 Pianos and Orchestra, Op. 88a: III. Adagio ma non troppo | Max Bruch, Oliver Schnyder, Julia Kociuban, ORF Vienna Radio Symphony Orchestra, Howard Griffiths | B Major | 2 | 1B | 66 BPM |