Sergei Lemeshev, Лариса Авдеева, Евгений Белоусов, Евгений Белов, Galina Vishnevskaya, Boris Khaikin, Борис Хайкин, Оркестр Большого театра's 'Евгений Онегин, соч. 24, действие I картина 1: No. 6a, Сцена "Как счастлив, как счастлив я"' came out on January 1, 2011. The duration of Евгений Онегин, соч. 24, действие I картина 1: No. 6a, Сцена "Как счастлив, как счастлив я" is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Евгений Онегин, соч. 24, действие I картина 1: No. 6a, Сцена "Как счастлив, как счастлив я"'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in Чайковский: Евгений Онегин, соч. 24, so we believe that "Евгений Онегин, соч. 24, действие I картина 1: No. 6a, Сцена "Как счастлив, как счастлив я"" is a single. Евгений Онегин, соч. 24, действие I картина 1: No. 6a, Сцена "Как счастлив, как счастлив я" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Евгений Онегин, соч. 24, действие I картина 1: No. 6a, Сцена "Как счастлив, как счастлив я" by Sergei Lemeshev, Лариса Авдеева, Евгений Белоусов, Евгений Белов, Galina Vishnevskaya, Boris Khaikin, Борис Хайкин, Оркестр Большого театра is Adagio (slowly with great expression), since this song has a tempo of 67 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
尊貴的安妮 | 環球合唱團 | B♭ Minor | 0 | 3A | 58 BPM | ||
Moja ljubimaja | Dzhaz-orkestr VRK, Aleksey Tsfasman, Sergei Lemeshev | F♯ Minor | 2 | 11A | 73 BPM | ||
Вечір на дворі | Анатолій Солов'яненко | A Minor | 2 | 8A | 66 BPM | ||
Zhuravli | Mark Bernes | E Minor | 2 | 9A | 93 BPM | ||
Карелия | Валентина Дворянинова, Ансамбль электромузыкальных инструментов п/у Вячеслава Мещерина | F Minor | 1 | 4A | 171 BPM | ||
Masquerade | Ivan Duch | C Major | 1 | 8B | 80 BPM | ||
5 mélodies populaires grecques: No. 3, Quel galant m'est comparable | Radio Bratislava Symphony Orchestra, Paulina Stark, Dennis Burkh | G Major | 1 | 9B | 0 BPM | ||
Чорнії брови, карії очі | Анатолій Солов'яненко | F Minor | 2 | 4A | 82 BPM | ||
Troika (Arr. for Voice & Folk Ensemble) | Traditional, Sergei Lemeshev, Ensemble of Russian Folk Instruments, Nikolai Nekrasov | A Minor | 2 | 8A | 167 BPM | ||
Die Fledermaus: Act II: Introduction: Ein Souper heut' uns winkt | Johann Strauss II, Peter Edelmann, Silvana Dussmann, Ute Gfrerer, Marion Rainer, Paul Armin Edelmann, Artur Stefanowicz, Thomas Lind, Waldemar Kmentt, Thaddaus Podgorski, Franz Jirsa, Mörbisch Festival Choir, Morbisch Festival Orchestra, Rudolf Bibl | F Major | 1 | 7B | 94 BPM |