Georg Philipp Telemann, Ensemble Zefiro, Alfredo Bernardini made "Ouverture "Wassermusik" in C Major, TWV 55:C3: VI. Harlequinade. Der schertzende Tritonus" available on 2003. With Ouverture "Wassermusik" in C Major, TWV 55:C3: VI. Harlequinade. Der schertzende Tritonus being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ensemble Zefiro, Alfredo Bernardini's "Handel: Water Musick - Telemann: Wassermusik" album is number 16 out of 29. On top of that, France appears to be the country where this track was created. Ouverture "Wassermusik" in C Major, TWV 55:C3: VI. Harlequinade. Der schertzende Tritonus is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Ouverture "Wassermusik" in C Major, TWV 55:C3: VI. Harlequinade. Der schertzende Tritonus by Georg Philipp Telemann, Ensemble Zefiro, Alfredo Bernardini to be Adagio (slowly with great expression) because the track has a tempo of 76 テンポ, a half-time of 38テンポ, and a double-time of 152 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 3 Trumpets, Timpani, 2 Oboes, bassoon and Violin in D Major, FWV L:D3: I. Allegro | Johann Friedrich Fasch, Il Gardellino | A♭ Major | 2 | 4B | 99 BPM | ||
Telemann: Concerto for Recorder and Bassoon in F Major, TWV 52:F1: II. Vivace | Georg Philipp Telemann, Nikolaus Harnoncourt, Frans Brüggen, Otto Fleischmann, Concentus Musicus Wien | A Major | 2 | 11B | 121 BPM | ||
Concerto for Treble Recorder, Strings and Continuo in C: 4. Tempo di Minuet | Georg Philipp Telemann, New London Consort, Philip Pickett | F♯ Major | 1 | 2B | 131 BPM | ||
Instrumental Music from Dioclesian, Z. 627: 2. Preludio | Henry Purcell, Jeanne Lamon, Tafelmusik Baroque Orchestra | B Minor | 0 | 10A | 114 BPM | ||
Flute Concerto in G Minor, RV. 439 "La notte": II. Fantasmi (Presto) | Antonio Vivaldi, Lisa Beznosiuk, The English Concert, Trevor Pinnock | F♯ Minor | 4 | 11A | 107 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | E Minor | 3 | 9A | 144 BPM | ||
Overture (Suite) In C Major, TWV 55: C6: I. Ouverture: Grave. Allegro. Grave | Cologne Chamber Orchestra, Georg Philipp Telemann | G Major | 3 | 9B | 116 BPM | ||
Concerto for Flute and Oboe in B Minor, FaWV L:h1: I. Allegro | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | B♭ Minor | 2 | 3A | 93 BPM | ||
Offerte non encore exécutée, H.522 | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | B Major | 2 | 1B | 79 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM |