"Pierrot Lunaire, Op. 21 / Part 1: II. Colombine" by Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez was released on January 1, 1998. With Pierrot Lunaire, Op. 21 / Part 1: II. Colombine being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "Schoenberg: Pierrot Lunaire; Herzgewächse; Ode to Napoleon". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. In terms of popularity, Pierrot Lunaire, Op. 21 / Part 1: II. Colombine is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pierrot Lunaire, Op. 21 / Part 1: II. Colombine by Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez having a テンポ of 112 with a half-time of 56 テンポ and a double-time of 224 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schoenberg: Gurre-Lieder, Melodram: "Seht die Sonne farbenfroh am Himmelssaum" (Chorus) | Arnold Schoenberg, Sir Simon Rattle, Berliner Philharmoniker, Karita Mattila, Thomas Moser, Anne Sofie von Otter, Thomas Quasthoff | F Major | 3 | 7B | 86 BPM | ||
Das Rheingold / Erste Szene: "Weia! Waga! Woge du Welle!" | Richard Wagner, Hetty Plümacher, Oda Balsborg, Ira Malaniuk, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg Solti | C Minor | 2 | 5A | 70 BPM | ||
War Requiem, Op. 66 / Requiem aeternam: 1b. What Passing Bells for These who die as Cattle? | Benjamin Britten, Sir Peter Pears, Melos Ensemble, The Bach Choir, London Symphony Chorus, London Symphony Orchestra | F♯ Major | 1 | 2B | 82 BPM | ||
Wozzeck / Act I: Scene III: Marie's room. "Tschin Bum, Tschin Bum, Bum, Bum, Bum! Hörst Bub? Da kommen sie!" | Alban Berg, Hildegard Behrens, Anna Gonda, Franz Grundheber, Wiener Philharmoniker, Claudio Abbado | F Major | 1 | 7B | 137 BPM | ||
Concerto grosso no.1 (1976-77): 1. Preludio: Andante | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | C Minor | 0 | 5A | 93 BPM | ||
Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace) | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 158 BPM | ||
L'Oiseau de feu, K010: III. Apparition de l’oiseau de feu, poursuivi par Ivan Tsarevitch | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | G Minor | 0 | 6A | 78 BPM | ||
Preludes: Un reflect dans le vent (A Reflection in the Wind) | Olivier Messiaen, Håkon Austbø | D Major | 0 | 10B | 87 BPM | ||
String Quartet No.2 In A Major, Op.68: 1. Overture (Moderato con moto) - Live | Dmitri Shostakovich, Emerson String Quartet | D Major | 1 | 10B | 146 BPM | ||
Scythian Suite, Op. 20: III. Night | Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado | C Major | 0 | 8B | 178 BPM |