Sergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling's 'Suite de concert, Op. 28: IV. Theme and Variations: Theme: Andantino' came out on September 29, 2009. With Suite de concert, Op. 28: IV. Theme and Variations: Theme: Andantino being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Taneyev, S.I.: Suite De Concert / Ioann Damaskin (John of Damascus)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Hong Kong. The popularity of Suite de concert, Op. 28: IV. Theme and Variations: Theme: Andantino is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite de concert, Op. 28: IV. Theme and Variations: Theme: Andantino by Sergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling having a テンポ of 178 with a half-time of 89 テンポ and a double-time of 356 テンポ, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite, Op. 23: IV. Lied. Schlicht und innig, nicht zu langsam | Erich Wolfgang Korngold, Spectrum Concerts Berlin, Boris Brovtsyn, Clara Jumi Kang, Torleif Thedéen, Eldar Nebolsin | D♭ Major | 0 | 3B | 87 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIV. Tarantella (Allegro moderato) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Paris In April | Winfred Jeremiah | B♭ Major | 1 | 6B | 91 BPM | ||
Sinfonia in E Major, BWV 792 | Johann Sebastian Bach, Sergei Taneyev, Valentina Danelon, Yulia Berinskaya, Anna Serova | D Major | 2 | 10B | 117 BPM | ||
Cello Sonata in D Major, Op. 17: I. Allegro molto | Luise Adolpha Le Beau, Connie Shih, Steven Isserlis | A Minor | 0 | 8A | 79 BPM | ||
Concert Suite, Op. 28: V. Tarantella. Presto | Sergei Taneyev, Annelle K. Gregory, Kiev Virtuosi Symphony Orchestra, Dmitry Yablonsky | B♭ Major | 2 | 6B | 85 BPM | ||
Invention in G Major, BWV 781 | Johann Sebastian Bach, Sergei Taneyev, Valentina Danelon, Yulia Berinskaya, Anna Serova | D Major | 2 | 10B | 117 BPM | ||
Piano Trio in A Minor, M. 67: IV. Final. Animé | Maurice Ravel, Florestan Trio | A Major | 2 | 11B | 81 BPM | ||
The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): Youth | Dmitri Shostakovich, Nikolaus Boewer, Deutsche Staatsphilharmonie Rheinland-Pfalz, Mark Fitz-Gerald | G Major | 1 | 9B | 145 BPM | ||
4 Improvisations: Improvisation No. 3 in B-Flat Minor | Anton Arensky, Sergei Rachmaninoff, Sergei Taneyev, Alexander Glazunov, Joseph Banowetz | B♭ Minor | 2 | 3A | 133 BPM |