"Samson et Dalia, Op. 47: Bacchanale" by Radio Luxembourg Symphony Orchestra was released on 1988. Since Samson et Dalia, Op. 47: Bacchanale is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Roussel: Bacchus et Ariane Suite & Suite in F Major". In this album, this song's track order is #2. Based on our statistics, Samson et Dalia, Op. 47: Bacchanale's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Samson et Dalia, Op. 47: Bacchanale by Radio Luxembourg Symphony Orchestra having a テンポ of 120 with a half-time of 60 テンポ and a double-time of 240 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Songs Without Words: Frühlingslied, Op. 62 in A Major: Allegro grazioso | Felix Mendelssohn, Ilmar Lapinsch, Latvian Philharmonic Chamber Orchestra | A Major | 3 | 11B | 89 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 150 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Piano Concerto No. 1 in E Minor, Op. 11: II. Romance. Larghetto | Frédéric Chopin, Arthur Rubinstein, Stanisław Skrowaczewski, The New Symphony Orchestra Of London | F♯ Minor | 2 | 11A | 97 BPM | ||
Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene) | Erich Wolfgang Korngold, Mineria Symphony Orchestra, Carlos Miguel Prieto | C Major | 3 | 8B | 85 BPM | ||
Tombeau de Couperin: Forlane - Studio | Radio Luxembourg Symphony Orchestra | B Minor | 0 | 10A | 77 BPM | ||
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 110 BPM | ||
String Quintet in E Major, Op. 11, No. 5 (G. 275): III. Minuetto | Donald Sosin, Luigi Boccherini, Nora Shulman, Judy Loman | A Major | 0 | 11B | 89 BPM | ||
Fantasia on Greensleeves | Ralph Vaughan Williams, Ralph Greaves, New Zealand Symphony Orchestra, James Judd | C Minor | 0 | 5A | 78 BPM | ||
Concerto #6 for Flute in G Minor, RV 439 "La notte": I. Largo | Antonio Vivaldi, Radio Luxembourg Symphony, Louis de Froment [Conductor], Elizabeth Schwall, flute, Louis de Froment, Radio Luxembourg Symphony Orchestra | G Major | 1 | 9B | 80 BPM |