Johann Sebastian Bach, Keith Jarrett made "The Well-Tempered Clavier: Book 1, BWV 846-869: 1. Prelude in C Minor, BWV 847 - Live in Troy, NY / 1987" available on June 14, 2019. With The Well-Tempered Clavier: Book 1, BWV 846-869: 1. Prelude in C Minor, BWV 847 - Live in Troy, NY / 1987 being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Keith Jarrett's "J.S. Bach: The Well-Tempered Clavier, Book I (Live in Troy, NY / 1987)" album is number 3 out of 48. The Well-Tempered Clavier: Book 1, BWV 846-869: 1. Prelude in C Minor, BWV 847 - Live in Troy, NY / 1987 is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of The Well-Tempered Clavier: Book 1, BWV 846-869: 1. Prelude in C Minor, BWV 847 - Live in Troy, NY / 1987 by Johann Sebastian Bach, Keith Jarrett to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
XII. lullaby | Brad Mehldau | G Major | 0 | 9B | 98 BPM | ||
Preludes and Fugues for Piano, Op. 87: Prelude & Fugue No. 1 in C Major | Dmitri Shostakovich, Keith Jarrett | C Major | 0 | 8B | 75 BPM | ||
Partita No.1 In B Flat Major, BWV 825: Prelude | Johann Sebastian Bach, Rafał Blechacz | B♭ Major | 1 | 6B | 98 BPM | ||
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: II. Adagio Ma Non Tanto | Cologne Chamber Orchestra, Johann Sebastian Bach | C Minor | 1 | 5A | 83 BPM | ||
Suite de danzas criollas, Op. 15 (2nd version): I. Adagietto pianissimo | Alberto Ginastera, Fernando Viani | C Major | 0 | 8B | 129 BPM | ||
Brandenburg Concerto No. 1 in F BWV1046: I. [Allegro] | Johann Sebastian Bach, Catherine Mackintosh/Paul Goodwin/Timothy Brown/Susan Dent/Orchestra of the Age of Enlightenment, Orchestra of the Age of Enlightenment | E Major | 4 | 12B | 172 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Das Wohltemperierte Klavier: Book 1, BWV 846-869: Präludium c-Moll, BWV 847 | Johann Sebastian Bach, András Schiff | C Minor | 2 | 5A | 112 BPM | ||
Concerto Saint Marc: III. Andante | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | G Minor | 0 | 6A | 60 BPM |