Bohuslav Martinů, Petr Hanicinec, Pavel Kühn, Prague Symphony Orchestra made "The Prophecy of Isaiah, H. 383: Poco andante" available on January 1, 1990. The Prophecy of Isaiah, H. 383: Poco andante appears to be safe for all ages as it is not explicit. The track order of this song in Bohuslav Martinů, Petr Hanicinec, Pavel Kühn, Prague Symphony Orchestra's "Martinu: Mount of Three Lights, The Prophecy of Isaiah, Hymn to St. James" album is number 2 out of 4. On top of that, Czechia appears to be the country where this track was created. Based on our statistics, The Prophecy of Isaiah, H. 383: Poco andante's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of The Prophecy of Isaiah, H. 383: Poco andante by Bohuslav Martinů, Petr Hanicinec, Pavel Kühn, Prague Symphony Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 128 テンポ, a half-time of 64テンポ, and a double-time of 256 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nightingales Sing In Berkeley Square | Carrie Baynes | D♭ Major | 1 | 3B | 81 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Sargent Rag | Remersaro Trío | A♭ Major | 3 | 4B | 145 BPM | ||
Suite, Op. 157b: I. Ouverture | Darius Milhaud, Jean-Marc Fessard, Frédéric Pélassy, Eliane Reyes | E Minor | 3 | 9A | 131 BPM | ||
Violin Concerto in D Major, K. 053: I. Toccata. Tempo crotchet = 96 | Igor Stravinsky, James Ehnes, BBC Philharmonic, Andrew Davis | D Major | 2 | 10B | 120 BPM | ||
Marchenbilder (Fairy Tales), Op. 113: III. Rasch | Robert Schumann, Tabea Zimmermann, Hartmut Höll | F Major | 1 | 7B | 82 BPM | ||
4 Short Pieces, Op. 6: No. 1, Prelude. Non troppo allegro | Howard Ferguson, John Finucane, Elisaveta Blumina | A Minor | 0 | 8A | 51 BPM | ||
Prélude à l’après-midi d’un faune, 900846: Debussy: Prélude à l’après-midi d’un faune | Claude Debussy, Mariss Jansons, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 82 BPM | ||
Flute Concerto in D Major, Op. 283: I. Allegro molto moderato | Carl Reinecke, Sébastian Jacot, Odense Symfoniorkester, David Björkman | D Major | 1 | 10B | 172 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XVII. Gavotta with Two Variations | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM |