"Ave Maria, WoO 7 no. 1" by Josef Rheinberger, Choirs of St. John Cantius, Rev. Scott A. Haynes, S.J.C. was released on 2010. The duration of Ave Maria, WoO 7 no. 1 is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Ave Maria, WoO 7 no. 1's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 54 in the song's album "St. John Cantius Presents: The Traditional Rosary with Music and Devotions in Honor of Our Lady". In this album, this song's track order is #12. Ave Maria, WoO 7 no. 1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ave Maria, WoO 7 no. 1 by Josef Rheinberger, Choirs of St. John Cantius, Rev. Scott A. Haynes, S.J.C. having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Selig sind die Toten, SWV 391 | Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart Jacobs | F Major | 2 | 7B | 170 BPM | ||
Magnificat in B flat major: Magnificat anima mea | Francesco Durante, Thomas Hengelbrock | A Major | 3 | 11B | 126 BPM | ||
Concerto Saint Marc: I. Grave | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | B♭ Major | 1 | 6B | 68 BPM | ||
Five Hebrew Love Songs: Temuná (A Picture) | Eric Whitacre, Eric Whitacre Singers | G Major | 0 | 9B | 73 BPM | ||
Ten Organ Trios, Op. 49: VII. Andantino amabile | Josef Rheinberger, Carlo Guandalino | B♭ Minor | 2 | 3A | 83 BPM | ||
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
All-Night Vigil, Op. 37: Hexapsalms | Sergei Rachmaninoff, State Symphony Capella of Russia, Valery Polyansky | B Major | 1 | 1B | 126 BPM | ||
Allegri: Miserere - 05. Auditui Meo Dabis | The Tallis Scholars, Peter Phillips | A Major | 1 | 11B | 66 BPM | ||
Weihnachtslieder, Op. 8: No. 3, The Three Kings (Arr. Atkins/Park) | Peter Cornelius, Owain Park, The Gesualdo Six | G Major | 1 | 9B | 95 BPM | ||
O Salutaris Hostia | Pierre de la Rue, Netherlands Chamber Choir, Paul Van Nevel | G Major | 1 | 9B | 135 BPM |