"Madrigals, Book 2: Se tu mi lassi, perfida, tuo danno, SV 53" by Claudio Monteverdi, Le Nuove Músiche, Krijn Koetsveld was released on April 28, 2017. The duration of Madrigals, Book 2: Se tu mi lassi, perfida, tuo danno, SV 53 is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Madrigals, Book 2: Se tu mi lassi, perfida, tuo danno, SV 53's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Claudio Monteverdi, Le Nuove Músiche, Krijn Koetsveld's "Monteverdi: Madrigals, Libri I & II" album is number 34 out of 42. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Madrigals, Book 2: Se tu mi lassi, perfida, tuo danno, SV 53 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Madrigals, Book 2: Se tu mi lassi, perfida, tuo danno, SV 53 by Claudio Monteverdi, Le Nuove Músiche, Krijn Koetsveld to be Andante (at a walking pace) because the track has a tempo of 90 テンポ, a half-time of 45テンポ, and a double-time of 180 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il secondo libro de madrigali a cinque voci, SV 48: No. 9, Quell’ombra esser vorrei | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini, Rosa Dominguez, Giuseppe Maletto, Sandro Naglia, Marco Radaelli, Daniele Carnovich | F♯ Major | 1 | 2B | 120 BPM | ||
O vos omnes | Carlo Gesualdo, Daarler Vocal Consort | D♭ Major | 2 | 3B | 120 BPM | ||
Pergolesi: Confitebor: VI. Gloria Patri | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | D♭ Minor | 2 | 12A | 114 BPM | ||
Lachrimae Antiquae Novae from Lachrimae, or Seaven Teares | John Dowland, Fretwork | G Minor | 0 | 6A | 113 BPM | ||
Cavalli: L'Ormindo, Act 2: "Che città" (Nerillo) | Francesco Cavalli, Philippe Jaroussky | G Major | 2 | 9B | 70 BPM | ||
Ballet des fous et des estropiés de la cervelle: II. Entrée des demy-fous | Anonymous, Le Poème Harmonique, Vincent Dumestre | G Minor | 3 | 6A | 134 BPM | ||
Primo Libro di madrigali, SV 23–39: V. Baci soavi, e cari | Claudio Monteverdi, Les Arts Florissants, Paul Agnew, Miriam Allan, Hannah Morrison, Marie Gautrot, Lisandro Abadie | E Major | 0 | 12B | 102 BPM | ||
Pergolesi: Stabat Mater: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I Barocchisti | E Minor | 0 | 9A | 138 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Jephte: Plorate filii Israel plorate | Giacomo Carissimi, Alexander Weimann, Les Voix Baroques | D♭ Major | 2 | 3B | 120 BPM |