"Traviata: Overture" by Giuseppe Verdi, Italian Brass Band was released on May 8, 2020. The duration of Traviata: Overture is about 3 minutes long, at 3:21. Based on our data, "Traviata: Overture" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Viral Compilation (Classical) by Various Artists. The song's track number on the album is #6 out of 45 tracks. Traviata: Overture is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Traviata: Overture by Giuseppe Verdi, Italian Brass Band has a tempo of 70 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Traviata: Overture being at 70 テンポ, the half-time would be 35 テンポ with a double-time of 140 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia (The Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | E Major | 1 | 12B | 171 BPM | ||
Andrea Chenier (1997 Digital Remaster): La mamma morta | Maria Callas, Tullio Serafin, Philharmonia Orchestra | D Major | 1 | 10B | 79 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Les contes d'Hoffmann: Les oiseaux dans la charmille | Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer | A♭ Major | 1 | 4B | 86 BPM | ||
Don Carlo, Act I: Dio che nell'alma (Carlo/Rodrigo/Coro di Frati/Un frate) | Giuseppe Verdi, Luciano Pavarotti, Paolo Coni, Andrea Silvestrelli, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti, Orchestra Del Teatro Alla Scala Di Milan | F Major | 4 | 7B | 89 BPM | ||
Il Trovatore / Act 1: "Di due figli" | Giuseppe Verdi, Nicolai Ghiaurov, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | E Minor | 1 | 9A | 105 BPM | ||
La Fanciulla del West / Act 3: "Ch'ella mi creda libero e lontano" | Giacomo Puccini, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Major | 3 | 2B | 179 BPM | ||
Il Trovatore, IGV 31, Act II: "Mal reggendo all'aspro assalto" (Manrico, Azucena) | Giuseppe Verdi, Salvatore Cammarano, Palacio de las Bellas Artes Orchestra, Guido Picco, Kurt Baum, Giulietta Simionato | E♭ Major | 4 | 5B | 127 BPM | ||
Ernani / Part 4: "Solingo, errante misero" - Live In New York / 1981 | Giuseppe Verdi, Dame Joan Sutherland, Marilyn Horne, Luciano Pavarotti, New York City Opera Orchestra, Richard Bonynge | D Major | 3 | 10B | 143 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM |