Arleen Auger's 'Messiah, HWV 56: Messiah, HWV 56: Part I, Aria: Rejoice greatly, O daughter of Zion' came out on January 1, 2000. With this song being about 5 minutes long, at 4:33, "Messiah, HWV 56: Messiah, HWV 56: Part I, Aria: Rejoice greatly, O daughter of Zion" by Arleen Auger is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 38 in Auger, Arleen: Arias by Arleen Auger. In terms of popularity, Messiah, HWV 56: Messiah, HWV 56: Part I, Aria: Rejoice greatly, O daughter of Zion is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Messiah, HWV 56: Messiah, HWV 56: Part I, Aria: Rejoice greatly, O daughter of Zion by Arleen Auger is Moderato (at a moderate speed), since this song has a tempo of 117 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Große Messe C Major, op.86: Kyrie | Ludwig van Beethoven, Regine Hangler, Martina Mikelic, Ilker Arkayürek, Christian Hübner, Chor von St. Augustin, Robert Rieder | G Major | 1 | 9B | 92 BPM | ||
Miserere in C minor: Misere III | Thomas Hengelbrock | B Minor | 2 | 10A | 65 BPM | ||
Deborah, HWV 51: Part I: Chorus - Let thy deeds be glorious | George Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini | A Minor | 0 | 8A | 172 BPM | ||
Rameau: Pièces de clavecin (1724), Suite in D Major, RCT 3: No. 2 Les Niais de Sologne - Doubles des Niais - Autre Double | Jean-Philippe Rameau, Jean Rondeau | C Major | 5 | 8B | 117 BPM | ||
Orlando paladino / Act 1: "Palpita ad ogni istante" | Franz Joseph Haydn, Arleen Auger, Orchestre de Chambre de Lausanne, Antal Doráti | A Major | 1 | 11B | 77 BPM | ||
Oboe Concerto in B-Flat Major, Wq. 164, H. 466: I. Allegretto | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | B♭ Major | 1 | 6B | 131 BPM | ||
Missa Dolorosa: IV. Sanctus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Mass No. 2 in G Major, D. 167: V. Benedictus | Franz Schubert, Edith Lienbacher, Alexander Kaimbacher, Anton Scharinger, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | G Major | 1 | 9B | 131 BPM | ||
Zartliche Liebe, WoO 123, "Ich liebe dich" | Ludwig van Beethoven, Arleen Auger, Erik Werba | E♭ Major | 1 | 5B | 175 BPM | ||
Requiem: I. Requiem | Anton Bruckner, Elke Janssens, Penelope Turner, Roel Willems, Arnout Malfliet, Laudantes Consort, Guy Janssens | C Minor | 0 | 5A | 69 BPM |