"Requiem: I. Requiem" by Anton Bruckner, Elke Janssens, Penelope Turner, Roel Willems, Arnout Malfliet, Laudantes Consort, Guy Janssens was released on October 5, 2009. With this song being about 5 minutes long, at 5:05, "Requiem: I. Requiem" by Anton Bruckner, Elke Janssens, Penelope Turner, Roel Willems, Arnout Malfliet, Laudantes Consort, Guy Janssens is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 19 in Bruckner: Requiem, Duruflé: Requiem - A History of Requiem, Part III by Elke Janssens, Penelope Turner, Roel Willems, Arnout Malfliet, Laudantes Consort, Guy Janssens. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Requiem: I. Requiem is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem: I. Requiem by Anton Bruckner, Elke Janssens, Penelope Turner, Roel Willems, Arnout Malfliet, Laudantes Consort, Guy Janssens is Adagio (slowly with great expression), since this song has a tempo of 69 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | ||
Pelléas et Mélisande, Op.80: Chanson de Mélisande | Gabriel Fauré, Lorraine Hunt, Boston Symphony Orchestra, Seiji Ozawa | B♭ Major | 0 | 6B | 87 BPM | ||
Die erste Walpurgisnacht, Op. 60: Ouverture: Der Ubergang zum Fruhling | Felix Mendelssohn, Kurt Masur, Leipzig Gewandhaus Orchestra | E♭ Major | 0 | 5B | 58 BPM | ||
Fauré: Élégie, Op. 24 (Orchestral Version) | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | A♭ Major | 0 | 4B | 89 BPM | ||
Piano Concerto in G Major, M. 83: 3. Presto | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | G Major | 3 | 9B | 79 BPM | ||
Symphony No.1 in D minor, Op.13: 2. Allegro animato | Sergei Rachmaninoff, Russian National Orchestra, Mikhail Pletnev | F Major | 0 | 7B | 94 BPM | ||
Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso (Quasi andantino) - Presto ma non assai | Johannes Brahms, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Major | 1 | 9B | 89 BPM | ||
Symphony No. 3 in D Minor, WAB 103 "Wagner" (1877 Version, Ed. L. Nowak): I. Mehr langsam, misterioso | Anton Bruckner, ORF Vienna Radio Symphony Orchestra, Markus Poschner | E♭ Major | 0 | 5B | 171 BPM | ||
Suite pastorale: II. Danse villageoise | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 1 | 11B | 126 BPM | ||
Requiem in D Minor, WAB 39: IVa. Agnus Dei | Anton Bruckner, Johanna Winkel, Sophie Harmsen, Michael Feyfar, Ludwig Mittelhammer, RIAS Kammerchor, Akademie für Alte Musik Berlin, Łukasz Borowicz | C Major | 0 | 8B | 65 BPM |