"Suite for Flute & Harp, Op. 245 "The Garden of Adonis": I. Largo" by Alan Hovhaness, Yolanda Kondonassis, Eugenia Zukerman was released on November 28, 2000. With Suite for Flute & Harp, Op. 245 "The Garden of Adonis": I. Largo being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Alan Hovhaness, Yolanda Kondonassis's "Music of Hovhaness" album is number 15 out of 21. Suite for Flute & Harp, Op. 245 "The Garden of Adonis": I. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite for Flute & Harp, Op. 245 "The Garden of Adonis": I. Largo by Alan Hovhaness, Yolanda Kondonassis, Eugenia Zukerman to be Adagio (slowly with great expression) because the track has a tempo of 76 テンポ, a half-time of 38テンポ, and a double-time of 152 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite for Flute & Harp, Op. 245 "The Garden of Adonis": V. Grave | Alan Hovhaness, Yolanda Kondonassis, Eugenia Zukerman | G Minor | 1 | 6A | 71 BPM | ||
Suite, Op. 291: III. Andante espressivo | Alan Hovhaness, Alex Mitchell, Neil Hornsby | F Minor | 0 | 4A | 92 BPM | ||
Martynov: "Come in!", Movement II | Vladimir Martynov, Gidon Kremer | A Major | 1 | 11B | 82 BPM | ||
Adagio from Piano Sonata No. 14 in C-Sharp Minor "Moonlight Sonata", Op. 27 No. 2 (Arr. Leopold Stokowski) | Ludwig van Beethoven, Matthias Bamert, BBC Philharmonic | D♭ Minor | 0 | 12A | 69 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Harp Concerto in C Minor: II. Adagio | Henriette Renié, Orchestre Régional Avignon Provence, Samuel Jean, Emmanuel Ceysson | D♭ Major | 0 | 3B | 63 BPM | ||
Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM | ||
All In The Past (Remembering Oskar Strock) | Georgs Pelēcis, Johannes Fritzsch, Tasmanian Symphony Orchestra, Emma McGrath | D Minor | 0 | 7A | 109 BPM | ||
Berceuse Orientale | Ludwig Lebell, Steven Isserlis, Stephen Hough | G Minor | 0 | 6A | 74 BPM | ||
Stille Musik: 2. Abendserenade | Valentin Silvestrov, Munich Chamber Orchestra, Christoph Poppen | D Minor | 0 | 7A | 77 BPM |