Plovdiv Philharmonic Orchestra's 'The Barber Of Seville: Overture' came out on March 1, 2014. Since The Barber Of Seville: Overture is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Various Artists's "Magic of the Opera" album is number 35 out of 46. The Barber Of Seville: Overture is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Barber Of Seville: Overture by Plovdiv Philharmonic Orchestra to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Piano & Orchestra No. 2 in F Minor, Op. 21: III. Allegro Vivace | Frédéric Chopin, Libor Pešek, Slovak Philharmonic, Marian Pivka | F Minor | 1 | 4A | 105 BPM | ||
Serenade for String Orchestra in C Major, Op. 48, TH. 48: II. Walzer: Moderato (Tempo di valse) | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von Karajan | F Major | 4 | 7B | 91 BPM | ||
Viotti: Violin Concerto No. 22 in A Minor: III. Agitato assai | Giovanni Battista Viotti, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | A Minor | 2 | 8A | 104 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): IV. Danse des garçons | Alexander Borodin, Anima Eterna, Jos Van Immerseel | D Major | 2 | 10B | 104 BPM | ||
Suppé: Leichte Kavallerie | Franz von Suppé, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 2 | 11B | 138 BPM | ||
Slawische Tänze, op. 46, Nr. 10 | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | E Minor | 2 | 9A | 104 BPM | ||
Spanish Capriccio in A Major, Op. 34: IV. Scena e canto gitano. Allegretto | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | G Major | 3 | 9B | 99 BPM | ||
Tosca: Tosca, Act II: Vissi d'arte | Giacomo Puccini, Ghena Dimitrova, Plovdiv Philharmonic Orchestra, Rouslan Raichev | A♭ Minor | 1 | 1A | 78 BPM | ||
Symphony No. 2 in C Minor, Op. 28: III. Adagio | Louis Glass, Philippopolis Chamber Choir, Plovdiv Philharmonic Orchestra, Nayden Todorov | B♭ Minor | 7 | 3A | 90 BPM | ||
The Bat, Overture (Die Fledermaus) | Ljubljana Symphony Orchestra, Anton Nanut | D Major | 2 | 10B | 85 BPM |