"Concert LXVI: Tombeau. Les Regrets" by Monsieur de Sainte-Colombe, Philippe Pierlot, Lucile Boulanger had its release date on April 17, 2020. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Philippe Pierlot, Lucile Boulanger, Myriam Rignol, Rolf Lislevand's "Monsieur de Sainte-Colombe et ses filles" album is number 9 out of 11. Based on our statistics, Concert LXVI: Tombeau. Les Regrets's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concert LXVI: Tombeau. Les Regrets by Monsieur de Sainte-Colombe, Philippe Pierlot, Lucile Boulanger to be Allegro (fast, quick, and bright) because the track has a tempo of 153 テンポ, a half-time of 76テンポ, and a double-time of 306 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concert III - Le tendre: Gavotte | Monsieur de Sainte-Colombe, Jérôme Chaboseau | D♭ Major | 1 | 3B | 112 BPM | ||
Les plaisirs: Gavotte pour les Suisses | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 121 BPM | ||
In Nomine à 5 "Trust" | Christopher Tye, Fretwork | C Minor | 0 | 5A | 62 BPM | ||
Suite in G Major: III. Sarabanda | Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford | D♭ Major | 0 | 3B | 93 BPM | ||
Suite de pièces de clavecin en ré mineur: Canaries | Dom André Laberge | A♭ Minor | 4 | 1A | 112 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 | Luc Beauséjour | B Major | 3 | 1B | 78 BPM | ||
Les Pleurs (Mr. de Sainte Colombe, version viole seule de Jordi Savall) | Monsieur de Sainte-Colombe, Jordi Savall | D♭ Minor | 0 | 12A | 102 BPM | ||
La Mallassis - Sarabande | Hopkinson Smith, Charles Mouton | F Minor | 0 | 4A | 76 BPM | ||
Sonata sesta for violino solo: I. Adagio | Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford | E Minor | 0 | 9A | 100 BPM | ||
L'Euridice, prologo: Aria di Romanesca | Giulio Caccini, Scherzi Musicali, Nicolas Achten | G Minor | 0 | 6A | 79 BPM |