"Suite in G Major: III. Sarabanda" by Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford was released on November 20, 2020. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 28 in the song's album "The Mad Lover". In this album, this song's track order is #18. In terms of popularity, Suite in G Major: III. Sarabanda is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite in G Major: III. Sarabanda by Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford having a テンポ of 93 with a half-time of 46 テンポ and a double-time of 186 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantazia I in 3 Parts | Henry Purcell, Fretwork | D♭ Minor | 1 | 12A | 102 BPM | ||
Aria for the Flute | Nicola Matteis, Gli Incogniti, Amandine Beyer | F♯ Minor | 2 | 11A | 172 BPM | ||
Semper Dowland semper dolens | John Dowland, Thomas Dunford | C Minor | 0 | 5A | 91 BPM | ||
Concerto in A Minor for Flute and Strings: II. Gavotte I & II (Tendrement) | Michel Blavet, Dorothee Oberlinger | A♭ Minor | 1 | 1A | 116 BPM | ||
Sorrow, Stay, Lend True Repentant Tears | John Dowland, Iestyn Davies, Thomas Dunford | G Minor | 0 | 6A | 113 BPM | ||
Sonata for Violin and Continuo No. 11 in C Minor: II. Allemanda. Andante | Jean-Jacques-Baptiste Anet, Théotime Langlois de Swarte, Justin Taylor | B Minor | 3 | 10A | 145 BPM | ||
Flute Concerto in G Major, QV 5:165: III. Presto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | F Major | 1 | 7B | 107 BPM | ||
Concerto for 2 Trumpets in C Major, RV 537: II. Largo | Antonio Vivaldi, Niklas Eklund, Jeffrey Segal, Wasa Baroque Ensemble, Edward H. Tarr | F♯ Major | 1 | 2B | 44 BPM | ||
Sonata for Violin and Continuo No. 11 in C Minor: IV. Allegro | Jean-Jacques-Baptiste Anet, Théotime Langlois de Swarte, Justin Taylor | B Minor | 3 | 10A | 117 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): V. Giga (Allegro) | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | F Minor | 0 | 4A | 124 BPM |