"Eugene Onegin, Op. 24, TH 5 / Act II: Lensky's Aria (Arr. Auer / Orch. Rot)" by Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, National Philharmonic Orchestra of Russia, Vladimir Spivakov was released on October 18, 2019. Since Eugene Onegin, Op. 24, TH 5 / Act II: Lensky's Aria (Arr. Auer / Orch. Rot) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "None but the Lonely Heart". In this album, this song's track order is #4. In terms of popularity, Eugene Onegin, Op. 24, TH 5 / Act II: Lensky's Aria (Arr. Auer / Orch. Rot) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eugene Onegin, Op. 24, TH 5 / Act II: Lensky's Aria (Arr. Auer / Orch. Rot) by Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, National Philharmonic Orchestra of Russia, Vladimir Spivakov having a テンポ of 100 with a half-time of 50 テンポ and a double-time of 200 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Fragmente zu Bildern von Hieronymus Bosch: No. 4. Agitato | Alfred Schnittke, Dmitri Kortchak, Vladimir Spivakov, Moscow Virtuosi, members | C Minor | 2 | 5A | 134 BPM | ||
Soirées musicales, Op. 6: II. Notturno. Andante con moto (Version for Harp) | Clara Schumann, Magdalena Hoffmann | D Minor | 0 | 7A | 76 BPM | ||
16 Waltzes, Op. 39: No. 4 In E Minor | Johannes Brahms, Idil Biret | E Minor | 2 | 9A | 80 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: IV. Larghetto | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | A Major | 1 | 11B | 91 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Minor | 0 | 5A | 101 BPM | ||
Japanese Suite, Op. 33: V. Dance under the Cherry Tree | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 85 BPM | ||
Violin Concerto No. 1 in A minor, BWV 1041: II. Andante | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | C Major | 1 | 8B | 80 BPM | ||
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM | ||
Beau soir, L. 6 (L. 84) (Arr. Heifetz for Violin and Piano) | Claude Debussy, Lisa Batiashvili, Yannick Nézet-Séguin | F Minor | 1 | 4A | 79 BPM | ||
Pictures at an Exhibition (Orch. M. Ravel): Promenade II | Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン | A♭ Major | 0 | 4B | 73 BPM |