"Soirées musicales, Op. 6: II. Notturno. Andante con moto (Version for Harp)" by Clara Schumann, Magdalena Hoffmann was released on January 7, 2022. With this song being about 5 minutes long, at 5:18, "Soirées musicales, Op. 6: II. Notturno. Andante con moto (Version for Harp)" by Clara Schumann, Magdalena Hoffmann is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in C. Schumann: Soirées musicales, Op. 6: II. Notturno. Andante con moto (Version for Harp) and no other songs are present in the album, we classify this track as a single. Soirées musicales, Op. 6: II. Notturno. Andante con moto (Version for Harp) is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Soirées musicales, Op. 6: II. Notturno. Andante con moto (Version for Harp) by Clara Schumann, Magdalena Hoffmann is Adagio (slowly with great expression), since this song has a tempo of 76 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Vesperae solennes de confessore in C Major, K. 339: V. Laudate Dominum omnes gentes (Arr. Víkingur Ólafsson) - Grand Piano | Wolfgang Amadeus Mozart, Víkingur Ólafsson | F♯ Major | 6 | 2B | 147 BPM | ||
15 Pieces, Op. 3: Prelude | Gabriel Pierné, Hae Won Chang | C Minor | 0 | 5A | 83 BPM | ||
Dvořák: Rusalka, Op. 114, B. 203, Act 1: Song to the Moon | Antonín Dvořák, Edgar Moreau, Jérémie Moreau | F♯ Major | 0 | 2B | 138 BPM | ||
Prelude in C Minor - Upright Piano | John Field, Alice Sara Ott | C Minor | 0 | 5A | 138 BPM | ||
Les Barricades mystérieuses | François Couperin, David Greilsammer | B♭ Major | 0 | 6B | 131 BPM | ||
Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 75 BPM | ||
Nocturnes, Op. 9: No. 3 in B Major. Allegretto | Frédéric Chopin, Jan Lisiecki | F♯ Major | 0 | 2B | 64 BPM | ||
Adagio | Alessandro Marcello, Martin Stadtfeld | D Minor | 0 | 7A | 91 BPM | ||
Symphony No. 5 in C Minor, Op. 67: II. Andante con moto | Ludwig van Beethoven, Yo-Yo Ma, Leonidas Kavakos, Emanuel Ax | A♭ Major | 0 | 4B | 81 BPM | ||
NO ROADMAP TO ADULTHOOD / Chilly Gonzales: Prelude in C Sharp Major | Chilly Gonzales, Alice Sara Ott | E♭ Minor | 0 | 2A | 70 BPM |