"Elektra, Op. 58, TrV 223: "Wo bleibt Elektra?"" by Richard Strauss, Cvetka Ahlin, Margarita Sjostedt, Sieglinde Wagner, Judith Hellwig, Gerda Scheyrer, Ilona Steingruber, Staatskapelle Dresden, Karl Böhm was released on January 1, 1961. Elektra, Op. 58, TrV 223: "Wo bleibt Elektra?" is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. There are a total of 27 in the song's album "Strauss: Elektra". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. The popularity of Elektra, Op. 58, TrV 223: "Wo bleibt Elektra?" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Elektra, Op. 58, TrV 223: "Wo bleibt Elektra?" by Richard Strauss, Cvetka Ahlin, Margarita Sjostedt, Sieglinde Wagner, Judith Hellwig, Gerda Scheyrer, Ilona Steingruber, Staatskapelle Dresden, Karl Böhm having a テンポ of 179 with a half-time of 90 テンポ and a double-time of 358 テンポ, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das Rheingold, WWV 86A / Dritte Szene: "Nibelheim hier" | Richard Wagner, Dietrich Fischer-Dieskau, Gerhard Stolze, Erwin Wohlfahrt, Berliner Philharmoniker, Herbert von Karajan | G Minor | 2 | 6A | 100 BPM | ||
Götterdämmerung, WWV 86D / Prologue: "Mehr gabst du, Wunderfrau, als ich zu wahren weiss" | Richard Wagner, Helga Dernesch, Helge Brilioth, Berliner Philharmoniker, Herbert von Karajan | F Major | 4 | 7B | 71 BPM | ||
Das Rheingold, WWV 86A / Zweite Szene: "Sanft schloss Schlaf dein Aug'" | Richard Wagner, Dietrich Fischer-Dieskau, Martti Talvela, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 109 BPM | ||
Die Zauberflöte, K. 620 / Zweiter Aufzug: "O Isis und Osiris" | Wolfgang Amadeus Mozart, RIAS Kammerchor, Berliner Philharmoniker, Karl Böhm | D Major | 1 | 10B | 112 BPM | ||
Bel Ami, Act I: Dialog 6 (Bel Ami, Madeleine) | Rudolf Kattnigg, Per Grunden, Gerda Scheyrer | G Minor | 1 | 6A | 131 BPM | ||
Te Deum, WAB 45: 1. Te Deum laudamus | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | C Minor | 2 | 5A | 126 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 1: Sanctus fortis, Sanctus Deus | Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence | D Major | 0 | 10B | 85 BPM | ||
Wagner: Tristan und Isolde, Act 1: "Westwärts schweift der Blick" (Isolde, Brangäne, A young sailor) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Marjana Lipovsek, Uwe Heilmann, Waltraud Meier | D Major | 4 | 10B | 103 BPM | ||
Elektra, Op. 58, TrV 223: "Du! Du! Denn du bist stark! Wie stark du bist" | Richard Strauss, Inge Borkh, Marianne Schech, Staatskapelle Dresden, Karl Böhm | D♭ Major | 5 | 3B | 179 BPM | ||
Die Fledermaus: Act II, "Im Feuerstrom der Reben" | Johann Strauss II, Hilde Gueden, Julius Patzak, Wilma Lipp, Alfred Poell, Kurt Preger, Sieglinde Wagner, August Jaresch, Vienna State Opera Chorus, Clemens Krauss, Wiener Philharmoniker | C Major | 4 | 8B | 80 BPM |