"Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 2: No. 13, Chanson à boire, Franz et Coppélius - Scène (Allegretto)" by Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris was released on November 9, 2009. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 17 out of 51 in Delibes: Coppélia by Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris. Based on our statistics, Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 2: No. 13, Chanson à boire, Franz et Coppélius - Scène (Allegretto)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 2: No. 13, Chanson à boire, Franz et Coppélius - Scène (Allegretto) by Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris is Allegro (fast, quick, and bright), since this song has a tempo of 148 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 6 in G Minor, Op. 15 No. 3 | Frédéric Chopin, Daniel Barenboim | D Minor | 0 | 7A | 132 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sicht | Bedřich Smetana, Jitka Čechová | A♭ Minor | 2 | 1A | 76 BPM | ||
Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesple, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | ||
Pavane, Op. 50 | Gabriel Fauré, Rotterdam Philharmonic Orchestra, Jean Fournet | F♯ Minor | 0 | 11A | 83 BPM | ||
Suite No. 11 in D Minor, HWV 437: III. Sarabande - Remastered 2022 | George Frideric Handel, Mario Sollazzo | B♭ Minor | 0 | 3A | 76 BPM | ||
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Sylvia: Prelude: The Huntresses | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | E♭ Major | 2 | 5B | 80 BPM | ||
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM |