Wolf Kerschek, Stefanie Rhein, NDR Bigband made "Jetzt komm' wir" available on July 15, 2017. The duration of Jetzt komm' wir is about 3 minutes long, at 3:02. Based on our data, "Jetzt komm' wir" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Jetzt komm' wir and no other songs are present in the album, we classify this track as a single. Based on our statistics, Jetzt komm' wir's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Jetzt komm' wir by Wolf Kerschek, Stefanie Rhein, NDR Bigband to be Allegro (fast, quick, and bright) because the track has a tempo of 130 テンポ, a half-time of 65テンポ, and a double-time of 260 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trumpet Concerto in B-Flat Major, Op. 94: II. Episodes: II | Mieczysław Weinberg, Sergei Nakariakov, Christian Lindberg, Liepaja Symphony Orchestra | D Minor | 4 | 7A | 93 BPM | ||
Passacaglia in G minor (H. I. F. Biber) | Heinrich Ignaz Franz Biber, Stanislao Marco Spina | G Minor | 0 | 6A | 128 BPM | ||
Tchaikovsky / Arr. Nakariakov for Trumpet and Orchestra: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Theme | Pyotr Ilyich Tchaikovsky, Sergei Nakariakov, Vladimir Ashkenazy, Philharmonia Orchestra | G Minor | 2 | 6A | 160 BPM | ||
Revelry: II. War | Valerie Coleman, Decoda | F Major | 3 | 7B | 115 BPM | ||
Concerto for Cello and Wind Orchestra: II. Romance | Jacques Ibert, Ernst Simon Glaser, Norwegian Navy Band Bergen, Peter Szilvay | A Minor | 0 | 8A | 82 BPM | ||
Suite for Violin and Piano, Op. 6: IV. Waltz | Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust | F♯ Major | 1 | 2B | 138 BPM | ||
Concerto for Double Bass 2nd Movement | Antonio Capuzzi, Martin Smith, Catherine Milledge | B♭ Major | 0 | 6B | 73 BPM | ||
Bourrée in c minor | Johann Philipp Krieger, Tomas Blank - collection | C Major | 0 | 8B | 128 BPM | ||
J. CHUQUISENGO: Andean summits for Orchestra (Chuquisengo, conductor) | Juan José Chuquisengo | B♭ Major | 2 | 6B | 77 BPM | ||
Reisado do pastoreio: III. Batuque | Oscar Lorenzo Fernández, Minas Gerais Philharmonic Orchestra, Fabio Mechetti | F Major | 7 | 7B | 100 BPM |