Joseph Haydn, René Jacobs, Kammerorchester Basel, Zürcher Sing-Akademie made "Stabat Mater: VII. Eja mater, fons amoris" available on March 17, 2023. The duration of Stabat Mater: VII. Eja mater, fons amoris is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Stabat Mater: VII. Eja mater, fons amoris's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Joseph Haydn, René Jacobs, Birgitte Christensen, Kristina Hammarström, Steve Davislim, Christian Immler, Kammerorchester Basel, Zürcher Sing-Akademie's "Haydn: Stabat Mater" album is number 7 out of 14. On top of that, Netherlands appears to be the country where this track was created. Stabat Mater: VII. Eja mater, fons amoris is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Stabat Mater: VII. Eja mater, fons amoris by Joseph Haydn, René Jacobs, Kammerorchester Basel, Zürcher Sing-Akademie to be Andante (at a walking pace) because the track has a tempo of 81 テンポ, a half-time of 40テンポ, and a double-time of 162 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in A Minor, Op. 56, MWV N 18 - "Scottish": II. Vivace non troppo | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 123 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Concertino for Horn and Orchestra in E minor, Op. 45: Adagio - Andante | Carl Maria von Weber, Hermann Baumann, Gewandhausorchester Leipzig, Kurt Masur | E Minor | 0 | 9A | 140 BPM | ||
Oboe Concerto No. 3 in G Minor, HWV 287: I. Grave | George Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas Ward | G Minor | 1 | 6A | 101 BPM | ||
Holberg Suite, Op.40: 3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 149 BPM | ||
Robin Adair | Haydn Trio Eisenstadt, Franz Joseph Haydn, Lorna Anderson, Jamie MacDougall | C Major | 1 | 8B | 99 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: I. Allegro con brio | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 89 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: II. Adagio | Joseph Haydn, Gautier Capuçon, Mahler Chamber Orchestra, Daniel Harding | A Major | 0 | 11B | 134 BPM |