Silvius Leopold Weiss, Virginio Fadda made "Lute Sonata in A Major (from Manoscritto di Dresda No. 17): III. Courante" available on February 1, 2015. The duration of Lute Sonata in A Major (from Manoscritto di Dresda No. 17): III. Courante is about 3 minutes long, at 3:07. Based on our data, "Lute Sonata in A Major (from Manoscritto di Dresda No. 17): III. Courante" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Virginio Fadda's "Lute & Baroque Guitar at the European Courts" album is number 11 out of 24. Lute Sonata in A Major (from Manoscritto di Dresda No. 17): III. Courante is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Lute Sonata in A Major (from Manoscritto di Dresda No. 17): III. Courante by Silvius Leopold Weiss, Virginio Fadda to be Andante (at a walking pace) because the track has a tempo of 79 テンポ, a half-time of 40テンポ, and a double-time of 158 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Four Seasons, Violin Concerto No. 4 - Arr. for Guitar by Peter Batchelar and Richard Wright | Antonio Vivaldi, Miloš Karadaglić | E Minor | 1 | 9A | 122 BPM | ||
La Canción del Emperador | Luis de Narváez, Dulces Exuviae, Bor Zuljan | F♯ Major | 1 | 2B | 75 BPM | ||
36 Caprices, Op. 20: IV. Allegretto | Luigi Legnani, Pavel Steidl | E Major | 2 | 12B | 95 BPM | ||
Sonata No. 4 in G major, WeissSW 5: I. Prelude | Silvius Leopold Weiss, Evangelina Mascardi | C Minor | 1 | 5A | 86 BPM | ||
Folias echa para mi Señora Doña Tarolilla | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | C Major | 2 | 8B | 77 BPM | ||
Guitar Sonata No. 22 in D Major, MS 84 | Niccolò Paganini, Mauro Bonelli | E♭ Major | 2 | 5B | 121 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
Das Erst Buch. Ein Newes Lautenbüchlein, 1544: Ein Gutter Venecianer Tantz, Mit Hupf Auff | Hans Neusidler, Joachim Held | B Minor | 1 | 10A | 159 BPM | ||
Lute Sonata No. 11 in D Minor: VII. Giga | Silvius Leopold Weiss, Robert Barto | A♭ Minor | 1 | 1A | 153 BPM | ||
Passacaglia in D Minor, BuxWV 161 | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | D Minor | 1 | 7A | 177 BPM |