"Missa brevis, Op. 64: III. Sanctus" by William Mathias, Matthew Owens, Wells Cathedral Choir, Jonathan Vaughn was released on May 1, 2009. The duration of Missa brevis, Op. 64: III. Sanctus is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Missa brevis, Op. 64: III. Sanctus's duration is considered a little bit shorter than the average duration of a typical track. This song is part of William Mathias: Missa brevis & Other Choral Music by William Mathias, Wells Cathedral Choir, Matthew Owens. The song's track number on the album is #9 out of 18 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. The popularity of Missa brevis, Op. 64: III. Sanctus is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Missa brevis, Op. 64: III. Sanctus by William Mathias, Matthew Owens, Wells Cathedral Choir, Jonathan Vaughn has a tempo of 169 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Missa brevis, Op. 64: III. Sanctus being at 169 テンポ, the half-time would be 84 テンポ with a double-time of 338 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
The music key of this track is G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Three Shakespeare Songs: No. 2, Under the Greenwood Tree | Clive Osgood, Sofia Vokalensemble, Bengt Ollen | D Major | 2 | 10B | 70 BPM | ||
Evening Prayer | Joanna Marsh, Lancelot Andrewes, The Choir of Magdalen College, Oxford, Mark Williams | B♭ Minor | 1 | 3A | 69 BPM | ||
O lux beata Trinitas | Andrej Makor, BYU Singers, Andrew Crane | F♯ Major | 1 | 2B | 106 BPM | ||
Ave Regina Coelorum | Philip Stopford, Truro Cathedral Choir, Christopher Gray | B♭ Major | 0 | 6B | 74 BPM | ||
Oedipus, Z.583: II. Music for a While | Henry Purcell, Musikhögskolans Kammarkör Piteå, Andrea Hagman, Erik Westberg | D♭ Major | 4 | 3B | 80 BPM | ||
Der Mensch lebt und bestehet nur eine kleine Zeit | Max Reger, Vienna Chamber Choir, Michael Grohotolsky | C Major | 1 | 8B | 97 BPM | ||
Five Flower Songs, Op. 47: IV. The Evening Primrose | Benjamin Britten, Finzi Singers, Paul Spicer | D Minor | 1 | 7A | 131 BPM | ||
Burial Service: I am the resurrection | William Croft, Sidney Sussex College Choir, Cambridge, Unknown Artist, David Skinner | D♭ Minor | 2 | 12A | 83 BPM | ||
Anonymous / Transcr. Revert: Victimae paschali laudes | Anonymous, Maitrise Notre-Dame De Paris, Yves Castagnet, Henri Chalet | B♭ Major | 1 | 6B | 78 BPM | ||
Ethereal Resonance | LeoRoads | F Major | 1 | 7B | 80 BPM |