"Concerto No. 2 for Cello and String Orchestra, "Klatbutne / Presence": III. Adagio" by Pēteris Vasks, Sol Gabetta was released on November 6, 2015. Concerto No. 2 for Cello and String Orchestra, "Klatbutne / Presence": III. Adagio appears to be safe for all ages as it is not explicit. This song is part of Vasks: Presence by Pēteris Vasks, Sol Gabetta. The song's track number on the album is #3 out of 6 tracks. Concerto No. 2 for Cello and String Orchestra, "Klatbutne / Presence": III. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Concerto No. 2 for Cello and String Orchestra, "Klatbutne / Presence": III. Adagio by Pēteris Vasks, Sol Gabetta has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Concerto No. 2 for Cello and String Orchestra, "Klatbutne / Presence": III. Adagio being at 80 テンポ, the half-time would be 40 テンポ with a double-time of 160 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto “Distant light” (1996/7): Andante II | Pēteris Vasks, Daniel Rowland, Maja Bogdanovic, Stift Festival Orchestra | A Minor | 0 | 8A | 140 BPM | ||
Clarinet Concerto in B-Flat Major: Andante sostenuto | Gaetano Donizetti, Camerata De Budapest, Laszlo Kovacs | B♭ Minor | 0 | 3A | 69 BPM | ||
La Scandinavie: III. Polska norvégien | Percy Grainger, Andreas Brantelid, Christian Ihle Hadland | D Major | 0 | 10B | 87 BPM | ||
Sonata for Violoncello and Piano in G minor, Op. 19: II. Allegro scherzando | Sergei Rachmaninoff, Sol Gabetta | G Major | 1 | 9B | 69 BPM | ||
Martynov: "Come in!", Movement III | Vladimir Martynov, Gidon Kremer | A Major | 1 | 11B | 90 BPM | ||
Requiem en ré mineur, Op. 48: "Pie Jesu" | Gabriel Fauré, Christian-Pierre La Marca, Alexis Kossenko, Les Ambassadeurs, Elizabeth Geiger | B♭ Major | 1 | 6B | 95 BPM | ||
Cello Concerto in D Major, Badley D3: III. Allegro molto | Leopold Hofmann, Sol Gabetta | D Major | 1 | 10B | 72 BPM | ||
Cantilena from Sonata No.11 in D minor, Op.148 | Josef Rheinberger, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | F Major | 1 | 7B | 90 BPM | ||
À Chloris (Arr. for Cello and Orchestra) | Reynaldo Hahn, Sol Gabetta, Charles Olivieri-Munroe | E Major | 0 | 12B | 75 BPM | ||
Funeral Ikos | John Tavener, Christian-Pierre La Marca, Alexis Kossenko, Les Ambassadeurs | F Minor | 1 | 4A | 77 BPM |