Oskar Rieding, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra's 'Rieding: Violin Concerto No. 2 in B Minor, Op. 35: I. Allegro moderato' came out on March 1, 1999. The duration of Rieding: Violin Concerto No. 2 in B Minor, Op. 35: I. Allegro moderato is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Rieding: Violin Concerto No. 2 in B Minor, Op. 35: I. Allegro moderato's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 11 in Concertos From My Childhood by Itzhak Perlman. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Rieding: Violin Concerto No. 2 in B Minor, Op. 35: I. Allegro moderato's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rieding: Violin Concerto No. 2 in B Minor, Op. 35: I. Allegro moderato by Oskar Rieding, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra is Moderato (at a moderate speed), since this song has a tempo of 120 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Solfeggietto in C minor, Wq. 117/2 | Carl Philipp Emanuel Bach, Dinara Klinton | F Minor | 2 | 4A | 122 BPM | ||
Sibelius: Violin Concerto in D Minor, Op. 47: III. Allegro ma non tanto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | D Major | 3 | 10B | 108 BPM | ||
3 Duets for 2 Violins & Piano, Op. 97d: I. Prelude (Version for 2 Violins and Orchestra) | Dmitri Shostakovich, Itzhak Perlman, David Garrett, Franck van der Heijden, Orchestra the Prezent | B Minor | 3 | 10A | 85 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Dvorák: Violin Concerto in A Minor, Op. 53, B. 108: II. Adagio, ma non troppo | Antonín Dvořák, Itzhak Perlman, Daniel Barenboim, London Philharmonic Orchestra | F Major | 2 | 7B | 96 BPM | ||
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
24 Caprices en formes d'etudes: No. 2 in A Minor | Pierre Rode, Axel Strauss | A Minor | 2 | 8A | 83 BPM | ||
Vivaldi: L'estro armonico, Violin Concerto in A Minor, Op. 3 No. 6, RV 356: I. Allegro | Antonio Vivaldi, Itzhak Perlman | A Minor | 3 | 8A | 98 BPM | ||
Chopin Mazurka in A Minor, Op.67,No.4: Frederic Chopin | Mela Tenenbaum | A Major | 1 | 11B | 135 BPM | ||
Carmen / Act 1: Prélude | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | D Minor | 5 | 7A | 125 BPM |