Prokofiev: Cinderella, Op. 87, Act 1: No. 5, The Beggar-Woman (Adagio)

Sergei Prokofiev, André Previn, London Symphony Orchestra
Prokofiev: Cinderella - Ballet/Symphony No. 1
2:15 1995年1月10日
テンポ
100
キー
B♭ Major
キャメロットミュージックキー
6B

リンクを埋め込む

共有

Prokofiev: Cinderella, Op. 87, Act 1: No. 5, The Beggar-Woman (Adagio) - Sergei Prokofiev, André Previn, London Symphony Orchestra 情報

音響性
84%
ダンサビリティ
16%
エネルギー
2%
手段性
85%
活気
9%
ラウドネス
39%
話し言葉
5%
価数
3%
人気
ラウドネス
-36.824 dB

まとめ

"Prokofiev: Cinderella, Op. 87, Act 1: No. 5, The Beggar-Woman (Adagio)" by Sergei Prokofiev, André Previn, London Symphony Orchestra was released on January 10, 1995. The duration of Prokofiev: Cinderella, Op. 87, Act 1: No. 5, The Beggar-Woman (Adagio) is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Prokofiev: Cinderella, Op. 87, Act 1: No. 5, The Beggar-Woman (Adagio)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 54 in the song's album "Prokofiev: Cinderella - Ballet/Symphony No. 1". In this album, this song's track order is #5. In terms of popularity, Prokofiev: Cinderella, Op. 87, Act 1: No. 5, The Beggar-Woman (Adagio) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Prokofiev: Cinderella, Op. 87, Act 1: No. 5, The Beggar-Woman (Adagio) テンポ

With Prokofiev: Cinderella, Op. 87, Act 1: No. 5, The Beggar-Woman (Adagio) by Sergei Prokofiev, André Previn, London Symphony Orchestra having a テンポ of 100 with a half-time of 50 テンポ and a double-time of 200 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Prokofiev: Cinderella, Op. 87, Act 1: No. 5, The Beggar-Woman (Adagio) キー

This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezL’arlésienne Suite No. 1, Op. 23bis, WD 40: III. AdagiettoGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezF Major07B86 BPM
Elgar: Variations on an Original Theme, Op. 36, Elgar: Variations on an Original Theme, Op. 36, "Enigma": XIV. E.D.U. (The Composer). Allegro presto (Finale)Edward Elgar, London Symphony Orchestra, Sir Adrian BoultG Major39B73 BPM
Also sprach Zarathustra, Op. 30: Von den Hinterweltlern by Richard Strauss, Los Angeles Philharmonic, Zubin MehtaAlso sprach Zarathustra, Op. 30: Von den HinterweltlernRichard Strauss, Los Angeles Philharmonic, Zubin MehtaF♯ Minor211A123 BPM
Mother Goose: II. Danse du rouet et scène by Maurice Ravel, Barry Wordsworth, London Symphony OrchestraMother Goose: II. Danse du rouet et scèneMaurice Ravel, Barry Wordsworth, London Symphony OrchestraF Minor04A90 BPM
Visions Fugitives, Op. 22: XIV. Feroce by Eteri Andjaparidze, Sergei ProkofievVisions Fugitives, Op. 22: XIV. FeroceEteri Andjaparidze, Sergei ProkofievD Major210B80 BPM
10 Legends, Op. 59, B. 122: No. 3. Allegro giusto by Antonín Dvořák, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser10 Legends, Op. 59, B. 122: No. 3. Allegro giustoAntonín Dvořák, Slovak Radio Symphony Orchestra, Stephen GunzenhauserG Major19B174 BPM
Carnival of the Animals: XIII. The Swan by Camille Saint-Saëns, Barry Wordsworth, London Symphony OrchestraCarnival of the Animals: XIII. The SwanCamille Saint-Saëns, Barry Wordsworth, London Symphony OrchestraG Major09B102 BPM
Also sprach Zarathustra, Op. 30: Der Genesende by Richard Strauss, Los Angeles Philharmonic, Zubin MehtaAlso sprach Zarathustra, Op. 30: Der GenesendeRichard Strauss, Los Angeles Philharmonic, Zubin MehtaA♭ Major14B91 BPM
Gayaneh, Ballet Suite: Gayaneh's Adagio by Aram Khachaturian, Bolshoi Theatre Orchestra, Yevgeny SvetlanovGayaneh, Ballet Suite: Gayaneh's AdagioAram Khachaturian, Bolshoi Theatre Orchestra, Yevgeny SvetlanovA Major111B105 BPM
Symphony No. 2 in C minor - Symphony No. 2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): In ruhig fliessender BewegungGustav Mahler, Wiener Philharmoniker, Gilbert KaplanF Minor04A174 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records