"Prokofiev: Cinderella, Op. 87, Act 1: No. 5, The Beggar-Woman (Adagio)" by Sergei Prokofiev, André Previn, London Symphony Orchestra was released on January 10, 1995. The duration of Prokofiev: Cinderella, Op. 87, Act 1: No. 5, The Beggar-Woman (Adagio) is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Prokofiev: Cinderella, Op. 87, Act 1: No. 5, The Beggar-Woman (Adagio)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 54 in the song's album "Prokofiev: Cinderella - Ballet/Symphony No. 1". In this album, this song's track order is #5. In terms of popularity, Prokofiev: Cinderella, Op. 87, Act 1: No. 5, The Beggar-Woman (Adagio) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prokofiev: Cinderella, Op. 87, Act 1: No. 5, The Beggar-Woman (Adagio) by Sergei Prokofiev, André Previn, London Symphony Orchestra having a テンポ of 100 with a half-time of 50 テンポ and a double-time of 200 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Major | 0 | 7B | 86 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": XIV. E.D.U. (The Composer). Allegro presto (Finale) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Major | 3 | 9B | 73 BPM | ||
Also sprach Zarathustra, Op. 30: Von den Hinterweltlern | Richard Strauss, Los Angeles Philharmonic, Zubin Mehta | F♯ Minor | 2 | 11A | 123 BPM | ||
Mother Goose: II. Danse du rouet et scène | Maurice Ravel, Barry Wordsworth, London Symphony Orchestra | F Minor | 0 | 4A | 90 BPM | ||
Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM | ||
10 Legends, Op. 59, B. 122: No. 3. Allegro giusto | Antonín Dvořák, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | G Major | 1 | 9B | 174 BPM | ||
Carnival of the Animals: XIII. The Swan | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | G Major | 0 | 9B | 102 BPM | ||
Also sprach Zarathustra, Op. 30: Der Genesende | Richard Strauss, Los Angeles Philharmonic, Zubin Mehta | A♭ Major | 1 | 4B | 91 BPM | ||
Gayaneh, Ballet Suite: Gayaneh's Adagio | Aram Khachaturian, Bolshoi Theatre Orchestra, Yevgeny Svetlanov | A Major | 1 | 11B | 105 BPM | ||
Symphony No. 2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): In ruhig fliessender Bewegung | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | F Minor | 0 | 4A | 174 BPM |