"Mozart: Così fan tutte, K. 588, Act I, Scene 4: No. 6, Quintetto. "Sento, o Dio, che questo piede" (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella)" by Wolfgang Amadeus Mozart, Giuseppe Taddei, Alfredo Kraus, Christa Ludwig, Elisabeth Schwarzkopf, Heinrich Schmidt, Walter Berry, Karl Böhm, Philharmonia Orchestra was released on 1963. With this song being about 5 minutes long, at 4:48, "Mozart: Così fan tutte, K. 588, Act I, Scene 4: No. 6, Quintetto. "Sento, o Dio, che questo piede" (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella)" by Wolfgang Amadeus Mozart, Giuseppe Taddei, Alfredo Kraus, Christa Ludwig, Elisabeth Schwarzkopf, Heinrich Schmidt, Walter Berry, Karl Böhm, Philharmonia Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, Karl Böhm's "Mozart: Cosi fan tutte" album is number 11 out of 69. In terms of popularity, Mozart: Così fan tutte, K. 588, Act I, Scene 4: No. 6, Quintetto. "Sento, o Dio, che questo piede" (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Così fan tutte, K. 588, Act I, Scene 4: No. 6, Quintetto. "Sento, o Dio, che questo piede" (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) by Wolfgang Amadeus Mozart, Giuseppe Taddei, Alfredo Kraus, Christa Ludwig, Elisabeth Schwarzkopf, Heinrich Schmidt, Walter Berry, Karl Böhm, Philharmonia Orchestra to be Andante (at a walking pace) because the track has a tempo of 104 テンポ, a half-time of 52テンポ, and a double-time of 208 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: Turandot, Act 2: "In questa Reggia" (Turandot) | Giacomo Puccini, Maria Callas, Tullio Serafin, Philharmonia Orchestra | D Major | 2 | 10B | 81 BPM | ||
Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" | Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | C Major | 3 | 8B | 148 BPM | ||
Le nozze di Figaro, K.492 / Act 2: "Signori di fuori son già i suonatori" | Wolfgang Amadeus Mozart, Edith Mathis, Gundula Janowitz, Dietrich Fischer-Dieskau, Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm | G Major | 3 | 9B | 216 BPM | ||
Fidelio, Op. 72 | Ludwig van Beethoven, Jon Vickers, Gottlob Frick, Christa Ludwig, Philharmonia Orchestra, Walter Berry, Otto Klemperer | G Major | 2 | 9B | 116 BPM | ||
Tosca / Act 1: "Tre sbirri... Una carozza... Presto" - Te Deum | Giacomo Puccini, Giuseppe Taddei, Piero de Palma, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | C Minor | 3 | 5A | 132 BPM | ||
Così fan tutte, K. 588: Act 1: Sestetto "Alla Bella Despinetta" - Recitativo "Che Sussurro!" | Wolfgang Amadeus Mozart, Concerto Köln, René Jacobs, Pietro Spagnoli, Werner Güra, Marcel Boone, Véronique Gens, Bernarda Fink, Graciela Oddone | C Major | 2 | 8B | 128 BPM | ||
The Magic Flute, Act I: Our Lord Sarastro will decide | Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Rebecca Evans, John Tomlinson | E♭ Major | 2 | 5B | 131 BPM | ||
Verdi: La traviata, Act 1: "Libiamo ne' lieti calici" (Alfredo, Violetta, Flora, Marchese, Barone, Dottore, Gastone, Chorus) | Giuseppe Verdi, Riccardo Muti, Alfredo Kraus, Henry Newman, Renata Scotto, Richard van Allan, Roderick Kennedy, Sarah Walker, Suso Mariategui, Philharmonia Orchestra | B♭ Major | 2 | 6B | 71 BPM | ||
Puccini: Manon Lescaut, Act 2: "In quelle trine morbide" (Manon Lescaut) | Giacomo Puccini, Maria Callas, Philharmonia Orchestra, Tullio Serafin | D♭ Major | 1 | 3B | 88 BPM | ||
Le nozze di Figaro, K.492 / Act 3: "Riconosci in questo amplesso" | Wolfgang Amadeus Mozart, Boje Skovhus, Peter Jelosits, Anna Caterina Antonacci, Lucio Gallo, Ildebrando D'Arcangelo, Sylvia McNair, Wiener Philharmoniker, Claudio Abbado | G Major | 2 | 9B | 122 BPM |