Paul Hindemith, Trio Brax's 'Trio for Viola, Tenor Saxophone and Piano, Op. 47: I. Solo. Sehr lebhaft, stürmisch' came out on March 24, 2023. With Trio for Viola, Tenor Saxophone and Piano, Op. 47: I. Solo. Sehr lebhaft, stürmisch being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 13 in the song's album "Trio Brax". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Norway. In terms of popularity, Trio for Viola, Tenor Saxophone and Piano, Op. 47: I. Solo. Sehr lebhaft, stürmisch is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trio for Viola, Tenor Saxophone and Piano, Op. 47: I. Solo. Sehr lebhaft, stürmisch by Paul Hindemith, Trio Brax having a テンポ of 101 with a half-time of 50 テンポ and a double-time of 202 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
Symphony No. 1 in E Minor, Op. 39: II. Andante (ma non troppo lento) | Jean Sibelius, Oslo Philharmonic Orchestra, Klaus Mäkelä | F♯ Minor | 1 | 11A | 66 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Hilary Hahn, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | D Major | 3 | 10B | 112 BPM | ||
Symphony No. 9 in E-Flat Major, Op. 70: IV. Largo | Dmitri Shostakovich, Berliner Philharmoniker, Kirill Petrenko | A Major | 0 | 11B | 133 BPM | ||
Concerto for Organ, Strings and Percussion in G minor, FP 93: Andante | Francis Poulenc, Peter Hurford, Philharmonia Orchestra, Charles Dutoit | A♭ Major | 1 | 4B | 107 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 13. Romanza *** (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | A♭ Major | 0 | 4B | 87 BPM | ||
Concerto in E flat "Dumbarton Oaks": 1. Tempo giusto | Igor Stravinsky, English Chamber Orchestra, Sir Colin Davis | E♭ Major | 2 | 5B | 167 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Round Dance Of The Princesses | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | D♭ Minor | 0 | 12A | 82 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): II. Andante | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | A Minor | 0 | 8A | 137 BPM |