Ernesto Tagliaferri, Giuseppe Di Stefano, The New Symphony Orchestra Of London, Iller Pattacini's 'Napule Canta' came out on January 1, 1998. The duration of Napule Canta is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Napule Canta's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Torna a Surriento - Songs of Italy and Sicily". In this album, this song's track order is #5. In terms of popularity, Napule Canta is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Napule Canta by Ernesto Tagliaferri, Giuseppe Di Stefano, The New Symphony Orchestra Of London, Iller Pattacini having a テンポ of 115 with a half-time of 58 テンポ and a double-time of 230 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma (1997 Digital Remaster), ACT 1, Scene 1: Sediziose voci (Norma/Oroveso/Coro) | Vincenzo Bellini, Maria Callas, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | B♭ Minor | 1 | 3A | 85 BPM | ||
La Gioconda / Act 1: "Voce di donna o d'angelo" | Amilcare Ponchielli, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | E♭ Major | 1 | 5B | 78 BPM | ||
Andrea Chénier / Act 3: Nemico della Patria? | Umberto Giordano, Leo Nucci, Piero de Palma, National Philharmonic Orchestra, Riccardo Chailly | E Minor | 2 | 9A | 72 BPM | ||
De Curtis / Arr. Lozi: Tu, ca nun chiagne (Live) | Ernesto de Curtis, José Carreras, Zubin Mehta, Los Angeles Philharmonic | D Minor | 3 | 7A | 90 BPM | ||
Se vuoi goder la vita | Leo Nucci, Salotto Ottocento Ensemble | C Major | 3 | 8B | 170 BPM | ||
Roméo et Juliette: Je veux vivre dans le rêve | Charles Gounod, Anna Moffo, Peter Maag | F Major | 1 | 7B | 74 BPM | ||
The Merry Widow, Act II: Vilja-Lied | Franz Lehár, Viktor Léon, Leo Stein, Adrian Ross, Vladimir Karmirski, Melbourne Symphony Orchestra, Yvonne Kenny | G Major | 2 | 9B | 80 BPM | ||
Passione | Ernesto Tagliaferri, Nicola Valente, Andrea Carè, Francesco Marsiglia, Orchestra Sinfonica Tito Schipa, Marcello Panni | G Minor | 5 | 6A | 110 BPM | ||
L'alba separa dalla luce l'ombra | Francesco Paolo Tosti, Gabriele D'Annunzio, Juan Diego Flórez, Filarmonica Gioachino Rossini, Carlo Tenan | E♭ Major | 2 | 5B | 77 BPM | ||
Carmen (1997 - Remaster), Act II: Entr'acte | Georges Bizet, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | E♭ Major | 0 | 5B | 72 BPM |