Ernesto de Curtis, José Carreras, Zubin Mehta, Los Angeles Philharmonic's 'De Curtis / Arr. Lozi: Tu, ca nun chiagne (Live)' came out on August 1, 1994. The duration of De Curtis / Arr. Lozi: Tu, ca nun chiagne (Live) is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. De Curtis / Arr. Lozi: Tu, ca nun chiagne (Live)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "The Three Tenors in Concert, 1994 (Live)". In this album, this song's track order is #11. In terms of popularity, De Curtis / Arr. Lozi: Tu, ca nun chiagne (Live) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With De Curtis / Arr. Lozi: Tu, ca nun chiagne (Live) by Ernesto de Curtis, José Carreras, Zubin Mehta, Los Angeles Philharmonic having a テンポ of 90 with a half-time of 45 テンポ and a double-time of 180 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
"La tarántula e un bicho" | Jerónimo Giménez, Anna Netrebko | C Major | 4 | 8B | 108 BPM | ||
Lucia di Lammermoor / Act 3: "Ohimè! sorge il tremendo fantasma" | Gaetano Donizetti, Dame Joan Sutherland, Pier Francesco Poli, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 3 | 4A | 133 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Deh! proteggimi, o Dio!" | Vincenzo Bellini, Sumi Jo, Orchestra La Scintilla, Giovanni Antonini | D♭ Major | 0 | 3B | 95 BPM | ||
Gioia | Yusif Eyvazov | G Major | 4 | 9B | 82 BPM | ||
Occhi di fata | Luigi Denza, Luciano Pavarotti, Leone Magiera, Orchestra Da Camera Di Bologna | A Major | 3 | 11B | 85 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | E Major | 1 | 12B | 101 BPM | ||
Mi fa male | Anna Netrebko | A Major | 4 | 11B | 82 BPM | ||
Samson et Dalila / Act 2: Mon coeur s'ouvre ta voix | Camille Saint-Saëns, Katherine Jenkins, Anthony Ingliss, The Prague Symphonia | D♭ Major | 3 | 3B | 55 BPM | ||
Turandot / Act 3: Nessun dorma! | Giacomo Puccini, Andrea Bocelli, German Olvera, Valentino Buzza, Pablo Garcia Lopez, Coro de la Comunitat Valenciana, Orquestra de la Comunitat Valenciana, Zubin Mehta | F Major | 3 | 7B | 171 BPM | ||
L'enamourée | Reynaldo Hahn, Anna Netrebko | D♭ Major | 0 | 3B | 173 BPM |