"Uspud, Act I (Version for Piano): No. 8, —" by Erik Satie, Alessandro Simonetto was released on December 10, 2021. With Uspud, Act I (Version for Piano): No. 8, — being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 56 in the song's album "Satie: Esoteric Works, Vol. 2 – Vexations, Uspud, Messe des pauvres". In this album, this song's track order is #8. Uspud, Act I (Version for Piano): No. 8, — is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Uspud, Act I (Version for Piano): No. 8, — by Erik Satie, Alessandro Simonetto having a テンポ of 75 with a half-time of 38 テンポ and a double-time of 150 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Dreaming, Op. 15 No. 3 | Amy Beach, Ambache | F Major | 0 | 7B | 75 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Nocturnes n°7 en mi majeur | Francis Poulenc, Alexandre Tharaud | E♭ Major | 1 | 5B | 87 BPM | ||
The Departure | Max Richter, Lang Lang | C Minor | 0 | 5A | 0 BPM | ||
Bagatelles I-XIII: Bagatelle III | Valentin Silvestrov, Hélène Grimaud | C Minor | 0 | 5A | 94 BPM | ||
3 Visions: No. 2, Summerland | William Grant Still, Bruce Levingston | F♯ Major | 0 | 2B | 67 BPM | ||
Lyric Pieces Book I, Op. 12: No. 1 Arietta | Edvard Grieg, Emil Gilels | E♭ Major | 0 | 5B | 130 BPM | ||
Reverie du Pauvre | Takashi Yoshimatsu, Erik Satie, Pascal Rogé | E Minor | 0 | 9A | 67 BPM |