"The Departure" by Max Richter, Lang Lang was released on October 4, 2019. The duration of The Departure is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. The Departure's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Voyager - Essential Max Richter by Max Richter. The song's track number on the album is #36 out of 36 tracks. Based on our data, Germany was the country where this track was produced or recorded. The Departure is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Departure by Max Richter, Lang Lang has a tempo of 0 beats per a minute, the tempo markings of this song would be Larghissimo. With The Departure being at 0 テンポ, the half-time would be 0 テンポ with a double-time of 0 テンポ.In addition, we consider the tempo speed to be pretty slow for this song.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fauré: Pavane, Op. 50 | Gabriel Fauré, San Francisco Symphony, Michael Tilson Thomas | F♯ Minor | 0 | 11A | 62 BPM | ||
Piano Sonata No. 12 in F Major, K. 332: II. Adagio | Wolfgang Amadeus Mozart, Maria João Pires | F Major | 0 | 7B | 73 BPM | ||
Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | ||
leaves and trees | Rachel Portman | A♭ Major | 7 | 4B | 87 BPM | ||
Infra 8 | Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Ian Burdge, Chris Worsey | C Minor | 2 | 5A | 70 BPM | ||
The Night Café | Clint Mansell | D Minor | 3 | 7A | 113 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
III. Mrs Dalloway: War Anthem | Max Richter, Deutsches Filmorchester Babelsberg, Robert Ziegler, Hila Karni | D♭ Major | 1 | 3B | 84 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation No. 18 Andante cantabile | Sergei Rachmaninoff, Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-Séguin | D♭ Major | 1 | 3B | 88 BPM | ||
The Swan | Camille Saint-Saëns, Sebastian Comberti, Miriam Keogh | G Major | 1 | 9B | 123 BPM |