"Canzonets to 2 Voyces, Book 1: No. 4. I goe before, my darling" by Thomas Morley, Lamentabile Consort was released on May 1, 2012. With Canzonets to 2 Voyces, Book 1: No. 4. I goe before, my darling being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Lamentabile Consort's "Music from the Renaissance" album is number 4 out of 18. On top of that, Sweden appears to be the country where this track was created. The popularity of Canzonets to 2 Voyces, Book 1: No. 4. I goe before, my darling is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Canzonets to 2 Voyces, Book 1: No. 4. I goe before, my darling by Thomas Morley, Lamentabile Consort to be Vivace (lively and fast) because the track has a tempo of 175 テンポ, a half-time of 88テンポ, and a double-time of 350 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Coranta | Anonymous, Thomas Morley, The Musicians of Swanne Alley | F♯ Major | 2 | 2B | 144 BPM | ||
Passamezzo moderno: Recercada secunda | Diego Ortiz, Mika Suihkonen, Ballo della Battalia | B Major | 3 | 1B | 121 BPM | ||
Burial Sentences: I. I Am The Resurrection | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | D Minor | 1 | 7A | 75 BPM | ||
Corriente Dicha la Cuella | Andrea Falconieri, Erik Bosgraaf, Izhar Elias, Alessandro Pianu | E Major | 4 | 12B | 134 BPM | ||
Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | ||
Fire and Lightning from Heaven Fall | Thomas Morley, Fair Oriana | D♭ Minor | 3 | 12A | 118 BPM | ||
Cantate Domino canticum novum | Hans Leo Hassler, Voices of Ascension Chorus, Dennis Keene | D Major | 1 | 10B | 128 BPM | ||
Alleluia, I Heard a Voice | Thomas Weelkes, Consort Of Musicke, Anthony Rooley | B Major | 2 | 1B | 115 BPM | ||
La Magdalena | Pierre Attaingnant, Hopkinson Smith | D♭ Minor | 2 | 12A | 92 BPM | ||
I will exalt Thee | The Choir of Magdalen College, Oxford, John Harper, Christopher Tye | A Minor | 0 | 8A | 93 BPM |