On April 26, 2019, the song "Scaramouche Suite, Op. 165c: 3. Brazileira" was released by Darius Milhaud, Jess Gillam, Tippett Quartet, Andee Birkett, Zeynep Özsuca. The duration of Scaramouche Suite, Op. 165c: 3. Brazileira is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Scaramouche Suite, Op. 165c: 3. Brazileira's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Rise". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Scaramouche Suite, Op. 165c: 3. Brazileira is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Scaramouche Suite, Op. 165c: 3. Brazileira by Darius Milhaud, Jess Gillam, Tippett Quartet, Andee Birkett, Zeynep Özsuca having a テンポ of 92 with a half-time of 46 テンポ and a double-time of 184 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Black Orpheus: Manha de Carnaval | Luiz Bonfá, Itzhak Perlman, John Williams, Pittsburgh Symphony Orchestra | G Minor | 1 | 6A | 97 BPM | ||
Carmen: Prelude - les Toreadors - Habanera - Danse Boheme - Chanson du Toreador | Georges Bizet, tenThing | D Minor | 2 | 7A | 148 BPM | ||
Scaramouche Suite, Op. 165c: 3. Brazileira | Darius Milhaud, Jess Gillam, Tippett Quartet, Andee Birkett, Zeynep Özsuca | F Major | 5 | 7B | 92 BPM | ||
Fanfare for the Common Man | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | B♭ Major | 2 | 6B | 73 BPM | ||
16 Waltzes, Op. 39: 15. Waltz in A Flat | Johannes Brahms, Nelson Freire | A♭ Major | 0 | 4B | 72 BPM | ||
Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova | François Couperin, Marina Baranova | A♭ Major | 0 | 4B | 69 BPM | ||
Concerto No. 4 in E-Flat Major, K.495: III. Rondo. Allegro Vivace | Wolfgang Amadeus Mozart, Felix Klieser, Camerata Salzburg | B♭ Major | 1 | 6B | 122 BPM | ||
Salut d'Amour, Op. 12: Salut d'amour, Op. 12 | Edward Elgar, Nigel Kennedy, Peter Pettinger, Stephen Isserlis | D Major | 1 | 10B | 84 BPM | ||
Reflections | Alex Baranowski, Jess Gillam, Jess Gillam Ensemble | E Minor | 1 | 9A | 120 BPM | ||
Rota / Arr. Capelletti & Lenaerts: The Godfather Suite | Nino Rota, Anneleen Lenaerts, Adrien Perruchon, Brussels Philharmonic | C Minor | 1 | 5A | 76 BPM |