Silvestre Revueltas, Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel's 'Sensemayá - Live At Centro de Acción Social por la Música, Sala Simón Bolivar, Caracas / 2008' came out on January 1, 2008. Since Sensemayá - Live At Centro de Acción Social por la Música, Sala Simón Bolivar, Caracas / 2008 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 11 in Fiesta by Gustavo Dudamel, Simón Bolívar Youth Orchestra of Venezuela. The popularity of Sensemayá - Live At Centro de Acción Social por la Música, Sala Simón Bolivar, Caracas / 2008 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sensemayá - Live At Centro de Acción Social por la Música, Sala Simón Bolivar, Caracas / 2008 by Silvestre Revueltas, Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel is Presto (very, very fast), since this song has a tempo of 181 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Mer, L.109: I. From Dawn till Noon on the Sea (De l'aube à midi sur la mer) - Live At Walt Disney Concert Hall, Los Angeles / 2013 | Claude Debussy, Los Angeles Philharmonic, Gustavo Dudamel | F♯ Minor | 0 | 11A | 72 BPM | ||
Symphony No. 5 in C-Sharp Minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt | Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel | D Major | 2 | 10B | 117 BPM | ||
The Carnival of Venice | Niccolò Paganini, Joshua Bell, Nigel Hess | A Major | 1 | 11B | 114 BPM | ||
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo | Gustav Holst, English Sinfonia, Howard Griffiths | E Minor | 1 | 9A | 132 BPM | ||
La coronela (The Lady Colonel): II. Los Desheredados (The Disinherited): Los Rurales (The Rural Resistance) | Silvestre Revueltas, Santa Barbara Symphony Orchestra, Gisele Ben-Dor | F♯ Major | 3 | 2B | 136 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Dance of the Earth | Igor Stravinsky, Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel | B Major | 5 | 1B | 87 BPM | ||
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
Tik-Tak Polka, Polka schnell, Op. 365 | Johann Strauss II, Gustavo Dudamel, Wiener Philharmoniker | A Major | 6 | 11B | 90 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Spring Rounds | Igor Stravinsky, Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel | B♭ Minor | 0 | 3A | 58 BPM |