Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel's 'Symphony No. 5 in C-Sharp Minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt' came out on May 20, 2022. Symphony No. 5 in C-Sharp Minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt appears to be safe for all ages as it is not explicit. The track order of this song in Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel's "Mahler: Symphony No. 5" album is number 1 out of 5. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Symphony No. 5 in C-Sharp Minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 5 in C-Sharp Minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt by Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel to be Moderato (at a moderate speed) because the track has a tempo of 117 テンポ, a half-time of 58テンポ, and a double-time of 234 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Symphony No. 8 in E-Flat Major, "Symphony of a Thousand": Dir, der Unberuhrbaren - Du schwebst zu Hohen der ewigen Reiche - | Gustav Mahler, Barbara Kubiak, Izabela Klosinska, Marta Boberska, Jadwiga Rappe, Ewa Marciniec, Timothy Bentch, Wojtek Drabowicz, Piotr Nowacki, Cardinal Stefan Wyszynski University Choir, Polish Radio Choir, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | E Major | 1 | 12B | 141 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 3. R.B.T. (Allegretto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 86 BPM | ||
Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler, Lorin Maazel, Wiener Philharmoniker | B♭ Major | 2 | 6B | 130 BPM | ||
Mahler: Symphony No. 2, "Resurrection": V. (b) Wieder sehr breit - Etwas energischer im Tempo - | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | F Minor | 2 | 4A | 69 BPM | ||
Symphony No. 4 in E Minor, Op. 98: 4. Allegro energico e passionato - Più allegro | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | E Minor | 2 | 9A | 66 BPM | ||
Rückert-Lieder: 4. Ich bin der Welt abhanden gekommen | Gustav Mahler, Friedrich Rückert, Teddy Tahu Rhodes, Marko Letonja, Tasmanian Symphony Orchestra | D♭ Major | 0 | 3B | 87 BPM | ||
Daphnis et Chloé, M. 57 / Première partie: Lycénion entre - Lent - mois lent - Très libre | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | D♭ Major | 0 | 3B | 135 BPM | ||
Götterdämmerung, WWV 86D / Erster Aufzug: Orchesterzwischenspiel | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | D♭ Minor | 1 | 12A | 130 BPM | ||
Concerto In G Minor R439 Op.10 No.2 "La Notte": 2. Largo - Presto | Antonio Vivaldi, Andreas Blau, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 148 BPM | ||
Piano Concerto No. 3 in C Major, Op. 26: III. Allegro, ma non troppo - Live | Sergei Prokofiev, Evgeny Kissin, Berliner Philharmoniker, Claudio Abbado | F Major | 2 | 7B | 101 BPM |