Les pêcheurs de perles, WD 13: Act I: A cette voix quel trouble...Je crois entendre encore - Georges Bizet, Enrico Caruso, Josef Pasternack 情報

音響性: 73%
ダンサビリティ: 57%
エネルギー: 14%
手段性: 76%
活気: 14%
ラウドネス: 56%
話し言葉: 5%
価数: 29%
人気: 6%
ラウドネス: -26.344 dB

まとめ

Georges Bizet, Enrico Caruso, Josef Pasternack's 'Les pêcheurs de perles, WD 13: Act I: A cette voix quel trouble...Je crois entendre encore' came out on 1990. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 206 in Enrico Caruso - The Complete Victor Recordings by Enrico Caruso. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Les pêcheurs de perles, WD 13: Act I: A cette voix quel trouble...Je crois entendre encore's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Les pêcheurs de perles, WD 13: Act I: A cette voix quel trouble...Je crois entendre encore テンポ

The tempo marking of Les pêcheurs de perles, WD 13: Act I: A cette voix quel trouble...Je crois entendre encore by Georges Bizet, Enrico Caruso, Josef Pasternack is Allegro (fast, quick, and bright), since this song has a tempo of 140 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.

Les pêcheurs de perles, WD 13: Act I: A cette voix quel trouble...Je crois entendre encore キー

This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

おすすめの曲

Track	Artist	Key	Energy	Camelot	BPM
Symphony No. 8 in G Major, Op. 88, B. 163 (Arr. P. Breiner for Piano): III. Allegretto grazioso	Antonín Dvořák, Peter Breiner	G Major	1	9B	179 BPM
Hungarian Dances, WoO 1: No. 1 in G Minor	Johannes Brahms, Cristian Mandeal, George Enescu Philharmonic Orchestra, Bucharest	G Minor	2	6A	73 BPM
Carmen, Act III, No.22 bis Récit: Quelques lignes plus bas...(Escamillo/Don José) No.23 Duo: Je suis Escamillo, Torero de Grenade! (Escamillo/Don José)	Georges Bizet, Thomas Hampson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse	B♭ Minor	2	3A	171 BPM
Le roi s'amuse: Pavane	Léo Delibes, Slovak Philharmonic, Ondrej Lenard	B♭ Major	0	6B	91 BPM
Voices of Spring, Op. 410	Johann Strauss II, Leonard Bernstein	B♭ Major	2	6B	110 BPM
L'Arlésienne Suite No. 2 (Arr. E. Guiraud for Orchestra): IV. Farandole	Ernest Guiraud, Georges Bizet, Budapest Philharmonic Orchestra, Janos Sandor	D Major	4	10B	79 BPM
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso	Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek	B♭ Major	2	6B	133 BPM
Jazz Suite No. 2: 4. Waltz I	Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly	B♭ Major	2	6B	178 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile	Max Bruch, Joshua Bell, Academy of St. Martin in the Fields	E♭ Major	2	5B	60 BPM
Jazz Suite No. 2: III. Dance 1	Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky	A Major	3	11B	153 BPM

ISRC: USBC10100423
レコードレーベル: L-M Records/RCA Records